4 best wide angle zoom lenses

Product description

Super wide-angle zoom lenses are ideal for taking photos of sweeping landscapes and producing striking images with emphasized perspective. For mid- to high-level users who seek a wider minimum focal length than offered by standard wideangle zoom lenses, the SEL-1018 is the ideal choice. NOTE:"35 mm equivalent focal length (APS-C)" and "Angle of View (APS-C)" are with interchangeable lens digital camera incorporating APS-C type image sensors. This super wide-angle zoom lens is perfect for taking photos of sweeping landscapes and producing striking images with emphasized perspective. Features incluse a constant maximum aperture of F4 and built-in Optical SteadyShot (OSS) image stabilization. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. The distance encoder plays an integral part in ADI flash metering, which delivers high precision flash metering that is unaffected by the reflectance of subjects or backgrounds. The distance encoder is a lens component that directly detects the position of the focusing mechanism, and sends a signal to the CPU in order to measure distance to the subject. During flash photography, this data is very useful in calculating how much flash output is appropriate to the scene. Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. 2012 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. Sony, BIONZ, BRAVIA, Exmor, InfoLITHIUM, Memory Stick, Memory Stick Duo, Memory Stick PRO Duo, Memory Stick PRO-HG Duo, PlayMemories Home, Smile Shutter, Stamina, Theatre Sync, Sweep Panorama, and the Sony make.believe logo are trademarks of Sony. AVCHD is a trademark of Panasonic Corporation and Sony Corporation. Microsoft, Windows, and Windows Vista are trademarks of Microsoft Corporation. Mac OS and iMovie are trademarks of Apple Computers, HDMI is a trademark of HDMI Licensing . All other trademarks are trademarks of their respective owners.

From the Manufacturer

• Angle of View (APS-C) - 109 ° – 76 °
• Minimum focal length of 10 mm (15 mm in 35 mm-camera equivalency)
• Minimum Focus Distance : 0.82 ft (0.25 m), Maximum Magnification ratio : 0.1x
• Superbly detailed images;Aperture Maximum: f/4 ; Minimum: f/22. 35mm equivalent focal-length (APS-C) : 15-27mm
• In-the-box:Hood (ALC-SH123), Lens front cap, Lens rear cap

User questions & answers

Question:	Does this lens work with Sony a7? Is it for APS C format hence on Sony a7 there is a crop factor
Answer:	Anyone managed to actually make it work ? the app does not connect to my hdr-as300..
Question:	What does "The angle of view will be narrower down to that of APS-C size" mean? This is on the A6000 lens compat page
Answer:	One camera in one item
Question:	Can I use this len in my Sony Alpha 3000 (ILCE3000)?, I want to buy it but if this doesnt work on my camera i dont waste my money
Answer:	Yes it can be removed from the wristband. As per Sony's description:Thanks to its versatile design, the remote can also be attached to various accessories such as the Shooting Grip (model VCT-STG1) and Handlebar Mount (model VCT-HM2), or worn as a wristband using the supplied strap.
Question:	Would this be a better choice for landscape than the 12mm Zeiss prime
Answer:	The remote control is designed to be waterproof. Do not subject the remote control to pressurized water, such as from a tap. Do not use in hot springs. Use the remote control in the recommended operating water temperature range of 0°C to 40°C (32°F to 104°F). The remote control has continuous waterproof performance at a water depth of 3 m (10 feet) for 30 minutes.http://helpguide.sony.net/cam/1650/v1/en/print.pdf

Product description

Get a fresh dynamic perspective with Sony’s widest full-frame E-mount lens*. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. It is an excellent choice for landscapes and architecture, and is compact, lightweight, and mobile so it can go wherever the great shots are without slowing you down.

• G Lens design for corner-to-corner high resolution
• Maximum magnification ratio (x) :0.14.Premium Optics; 4 aspherical, 1 Super ED, 3 ED glass elements
• Constant F4 max aperture maintains exposure and Depth of field
• 7-blade circular aperture contributes to beautiful bokeh
• Direct Drive Supersonic Wave motor for fast, quiet, precise focus
• In-the-box: Lens front cap; Lens rear cap; Case; Angle of View (35 mm): 122°–84°

User questions & answers

Question:	With the sony a7r ii is the super crop required with this lens? bought an f e-mount pancake lens and the vignetting is insane unless you crop it
Answer:	No
Question:	how will this lens work with a sony a6000? Read that optical steadyshot is off. Will this be a significant determinant to shot productivity
Answer:	Yes
Question:	What is circular filter size
Answer:	No it will not
Question:	I am new to photography. I need this lens primarily for interior real estate photography and videos. F2.8 would be ideal, will F4 work in low light
Answer:	No
Question:	Any special charging requirements? Or just charge it like a regular car battery
Answer:	I ordered the pink cable, and the ends are silver. Adjustable length, I believe is because you can choose which size you want. I'm really pleased with mine. I'm using it right now. Excellent value, and the 6.6 foot cord is such a nice length. I don't feel attached to my charging port. I recommend it.
Question:	How many of these do i need to run 5 5000 taramp
Answer:	It can not charge Apple MacBook. This 3-in-1 cable can not provide enough enough power wattage for the Apple MacBook.
Question:	Does this come with mounting brackets like the optima does
Answer:	This multi charging cable support charging only. It doesn't support data syncing.
Question:	Will this battery go in a 2005 lincoln town car
Answer:	No, these cable are unable to transfer data. But they are perfect if you want to charge your phone in the car.

Product features

Sony Alpha FE 12-24mm F4 G Ultra Wide-angle Zoom Lens

Get a fresh dynamic perspective with Sony’s widest full-frame E-mount lens*. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. It is an excellent choice for landscapes and architecture, and is compact, lightweight, and mobile so it can go wherever the great shots are without slowing you down.

Dynamic perspectives in an ultra wide-angle zoom

With a zoom range extending from 12mm to 24mm, the ultra wide-angle FE 12-24mm F4 G zoom offers the widest perspectives in the full-frame E-mount lens lineup. Optical aberrations that commonly detract from the performance of wide-angle designs have been effectively controlled, achieving excellent resolution throughout the image area. Despite its impressive performance, this lens is remarkably lightweight, compact, and mobile, offering quality and capabilities that will satisfy professionals' and enthusiasts’ needs for wider fields of view when photographing landscapes, architecture, and more.

Aspherical lens elements

Four aspherical elements in a new optical design effectively suppress aberrations that commonly occur in wide-angle lenses, achieving impressively high resolution that fully satisfies expectations for the G Lens brand. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and ultra-wide angles, and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight.

Constant F4 max aperture

Constant F4 max aperture maintains exposure and depth of field regardless of the focal range to which you zoom. When changing your aperture to defocus the background, the areas out of the focal plane appear blurred. This ‘bokeh’ effect of the blurred background is enhanced with circular aperture blades used in this lens.

7-blade circular aperture contributes to gorgeous bokeh

When changing your aperture to defocus the background, light sources appear blurred. This ‘bokeh’ effect of the blurred background is enhanced with the 7-blade circular aperture used in this lens. Conventional aperture blades have flat sides creating unappealing, polygonal-shaped defocused points of light. α lenses overcome this problem through a design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

Direct Drive Supersonic Wave Motor (DDSSM)

High-resolution cameras demand absolute focus precision. A floating mechanism driven by a DDSSM (Direct Drive Super Sonic Wave Motor) actuator maintains outstanding resolution from infinity to close focus for both stills and movies. DDSSM has the capability to position the large, heavy optical assemblies required by large-aperture lenses with pinpoint precision, offering accurate, fast and quiet autofocus. Manual focus response is natural and intuitive with the DDSSM system.

Nano AR Coating

Sony’s original Nano AR Coating technology minimizes flare and ghosting by suppressing internal reflections and maintaining clarity, even in difficult outdoor lighting conditions, for dynamic range that achieves lifelike detail and gradation with advanced camera sensors. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, more so than with lenses that use coatings with an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality.

Dust and moisture resistant1 for robust reliability

Sony’s standard lens sealing is augmented by a lens mount seal that maximizes resistance to dust and moisture for reliable operation in challenging environmental conditions1. Additional details, like rubberized rings that are easy to operate in low temperatures, a customizable focus hold button and a hood lock button, all add up to professional control and convenience.

Super ED and ED glass minimize chromatic aberration

One Super ED (Extra-low Dispersion) and three ED glass elements control chromatic aberration for excellent sharpness from image center to periphery. Both Super ED and ED glass elements correct for axial chromatic aberration and chromatic aberration, which affect resolution and bokeh, while leaving precisely rendered edges with no fringing or unnatural coloration.

Instant auto/manual focus selection

Instantly switch between auto and manual focus via an AF/MF switch on the side of the lens. This makes operation faster and easier as you let the camera and lens focus for you, or decide to take control and manually focus on the precise point you chose.

Focus hold button

The focus hold button not only performs its primary function to lock focus when recomposing, but can be customized to a number of other functions depending on your needs. In addition to Focus Hold, custom functions include: Grid Lines, Eye AF, AF On, Aperture Preview, Shot Result Preview or Bright Monitoring.

Internal Focus maintains lens dimensions

Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change while focusing. This is especially useful when using the lens for video with a matte box.

Fluorine front-element coating

The front lens element features a fluorine coating that helps to prevent dirt and fingerprints from sticking, and makes it easier to wipe dirt and fingerprints away if they become attached to the lens surface. This is a lens that can be used with confidence in a variety of challenging outdoor conditions.

Footnotes:

1 Although the design is dust and moisture resistant, absolute protection from dust and moisture is not guaranteed.

Legal:

2017 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. Sony, the G logo, the Alpha logo and the Sony logo are trademark of Sony Corporation. All other trademarks are trademarks of their respective owners.

• Fisheye Zoom lens 6-11mm:Capture EPIC 180 Degree circular images and traditional frame-filling fisheye images
• NOTE: The visual effect on some APS-C cameras might be a circle slightly cropped at its top and bottom.
• Lens Not Attached : MANUAL LENS need you to enable "M mode " or "Release without lens" in the setting of camera
• Minimum focusing distance of only 15cm (Zoom at 6mm)
• Can be also used on Sony E-mount full frame cameras but need to set the camera to APS-C mode.

Product features

Zoom at 11mm-Rectangle Fisheye View

MEKE's widest zoom lens takes you from an amazing 95 degree wide frame filling view to the extremes of a 180 degree circular vision of everything in front of you.

With a minimum focusing distance of 15cm you can create large subject close up views you never thought possible.

Make no mistake this is no ordinary lens for ordinary photographers; this lens allows you to express your creativity in extraordinary ways.

Zoom at 6mm-Rectangle Fisheye View- Christmas Disrespect

Here is the tool that can make your images stand out from the crowd. Simple manual control of zoom, focus, and aperture through large smoothly rotating rings allow you to easily control your creative focus.

Samples

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Samples

Samples are compressed and cropped due to format

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Samples are compressed and cropped due to format

Samples- Christmas Disrespect

Samples are compressed and cropped due to format

Christmas Disrespect

Product description

Explore the world in wide-angle detail G Master performance in a wide-angle F2.8 16-35 mm zoom offers a wealth of opportunity to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner to corner, with stunning background bokeh when required. A compact, lightweight design makes it manageable for active shooting. High corner-to-corner resolution Uncompromised optical design achieves extremely high corner-to-corner resolution and contrast for landscape, architecture, and other expansive subjects. Gorgeous background bokeh Shoot close at F2.8 to capture sharp subjects with dynamic, painterly backgrounds consisting of delightfully smooth bokeh. A perfect balance of resolution and bokeh An advanced optical design that includes two Sony XA (extreme aspherical) elements achieves outstanding resolution, low distortion, and smooth, beautiful bokeh. Light and compact for high mobility Class-leading size and weight reductions make this 680-gram lens an ideal match for compact E-mount bodies, providing an eminently portable, easily manageable system. Product Specifications: Mount: Sony E-mount Format: 35 mm full frame Focal Length (mm): 16-35 35mm Equivalent Focal Length (APS-C): 24-52.5 Lens Groups / Elements: 13-16 Angle of View (35mm): 107-63 Angle of View (APS-C): 83-44 1 Maximum Aperture (F): 2.8 Minimum Aperture (F): 22 Aperture Blades: 11 Circular Aperture: Yes Minimum Focus Di...

• Sony AUTHORIZED DEALER - Includes Full Sony USA WARRANTY
• Sony FE 16-35mm F2.8 GM Wide-angle Zoom Lens Full-Frame E-Mount Cameras
• An advanced optical design that includes two Sony XA (extreme aspherical) elements achieves outstanding resolution, low distortion, and smooth, beautiful bokeh.
• INCLUDED IN THE BOX: Sony FE 16-35mm Wide-angle Zoom Lens - Lens Hood ALC-SH149 - Lens Front Cap ALC-F82S - Lens Rear Cap ALC-R1EM - Soft Carrying Case
• BUNDLE INCLUDES: Sony FE 16-35mm F2.8 GM Wide-angle Zoom Lens Full-Frame E-Mount Cameras - Sandisk Extreme PRO SDXC 128GB UHS-1 Memory Card

User questions & answers

Question:	Is this lens great for family portrait,events and wedding also for filming
Answer:	Dear buyer, Yes, this car phone mount can fit Moto E4. I hope the above information is helpful