12 best nady studio condenser microphones
Nady is a reputable brand that manufactures a range of studio condenser microphones. These microphones are designed for professional and studio-quality audio recording applications in the realm of musical instruments and voice recording. Here is some information about Nady studio condenser microphones:
Condenser Microphone Technology: Nady studio condenser microphones utilize condenser microphone technology. This technology is known for its ability to capture audio with high sensitivity and accuracy, making it suitable for capturing a wide range of sound sources, from vocals to musical instruments.
Studio-Quality Sound: Nady condenser microphones are favored by musicians, vocalists, and recording engineers for their ability to produce clear, detailed, and natural sound. They are often used in studio environments where audio quality is critical.
Cardioid Polar Pattern: Many Nady condenser microphones feature a cardioid polar pattern, which means they primarily capture sound from the front while rejecting sound from the sides and rear.This pattern is ideal for isolating the sound source and minimizing unwanted background noise.
Versatile Applications: Nady studio condenser microphones are versatile and can be used for a wide range of applications, including recording vocals, acoustic instruments, pianos, drums, and more. They are suitable for both solo recording and multi-instrument setups.
Durability and Build Quality: Nady microphones are known for their durability and quality construction. They are designed to withstand the rigors of studio use and are often built with rugged metal bodies.
Phantom Power: Most condenser microphones, including Nady models, require phantom power to operate. This power is typically provided by a mixing console, audio interface, or external phantom power supply.
Accessories: Nady may offer various microphone accessories, such as shock mounts, pop filters, and microphone stands, to enhance the performance and convenience of their studio condenser microphones.
Price Range: Nady studio condenser microphones are available at various price points, making them accessible to a range of users, from beginners to professionals.
When considering a Nady studio condenser microphone, it's essential to match the microphone's characteristics to your specific recording needs and budget. Factors to consider include the microphone's polar pattern, sensitivity, frequency response, and the type of sound source you intend to record. Additionally, ensure that you have the necessary equipment, such as phantom power, to operate the microphone effectively.
Below you can find our editor's choice of the best nady studio condenser microphones on the marketProduct description
Sterling acoustics and a retro vibe. The Nady PCM-100 Classic Condenser Mic is perfect for broadcasting and stage vocal use. It is versatile in the studio, too. The Nady PCM-100 mic features a high-quality electret condenser element, cardioid polar pattern, and a smooth frequency response tailored for vivid vocal reproduction with a perfectly positioned presence peak. Switchable low-cut filter. Integral mic holder mount. Comes with foam-padded plastic carrying case. Requires phantom power.
- Classic retro-styled condenser microphone for multi-purpose studio or live performance uses
- Cardioid polar pattern
- Smooth tailored fequency response
- Phantom power LED
- Vivid vocal reproduction with a characteristic presence peak and a switchable low cut filter
User questions & answers
Question: | what kind of mic stand fits the thread of this microphone |
Answer: | standard mic stand. Think of the sm58 mic and the clip that it uses. It has the same threading as the Nady 200. |
Question: | I really like the style but could I record a drum set with it |
Answer: | I use the condenser version of this to mic guitar amps all the time, either would probably be alright on toms and snare, though they are bulky, heavy, and hard to keep out of the way. The drummer would probably hate it. It won't likley have the SPL handling or the frequency response to sound good on the kick drum, either. You would be better to spend the Vocals or guitar amps, definitely, though. |
Question: | what about proximity low gain effect |
Answer: | It isn't as bad as I have observed on most dynamic mics I have used but it isn't non-existent either. The best distance for this mic is about 25-30 cm. At that distance, I get lots of compliments on the quality of sound. Most musician notice how much better it sounds than any dynamic from Shure. |
Question: | Does it have that old syle radio talk show sound |
Answer: | Not exactly. The sound you are looking for is better replicated with a ribbon style microphone, like the Nady RSM 5, more so than a dynamic microphone. Keep in mind that there are several stages of the signal chain to consider after the microphone that contribute critical sound quality changes in reproducing a retro radio talk show sound, such as pre-amplifiers, compressors, and equalizers. |
Product description
The SCM-700 Condenser Microphone Recording Kit is the perfect package for any recording application. Podcasting, voice-over, online videos, and the production of high-quality recordings with smartphones and tablets. This 8-piece package includes: Professional SCM-700 Studio Condenser Microphone, XLR to 1/8” TRS cable (for use with a smartphone, tablet or computer), heavy-duty XLR to XLR cable to connect to an audio interface or a mixer, 1/8” TRRS adaptor with microphone input and headphones output for use with smartphones/tablets, microphone shock mount, windscreen, desktop tripod, and durable carrying bag for easy transport. Requires 48V phantom power.
- 7 piece package includes the versatile SCM-700 professional recording cardioid condenser polar pattern microphone useful in multiple recording scenarios. The SCM-700 has a 16mm capsule with freq resp of 20Hz-20kHz and is ideal for a number of studio applications, performing seamlessly with portable smart devices and mixers
- Large-diaphragm condenser element, transformerless low-noise circuitry, high SPL capacity and rugged internal shock mounts. FET output electronics further minimize noise for a clear, focused and realistic audio reproduction
- Includes microphone, XLR to 1/8" TRS/TRRS cable, XLR to XLR cable, 3.5mm smartphone adapter with headphone input, microphone shock mount, microphone windscreen & carrying bag
- Accepts phantom power from 5V-48V for use in any recording environment
User questions & answers
Question: | Can this be used with a MacBook Pro |
Answer: | Yes! This microphone will work with almost any laptop or smartphone since it only requires a low voltage of 5V to operate, which most devices easily produce. |
Product description
An all-purpose studio and live performance recording mic. The Nady SCM 1000 Microphone is equipped with transformerless output and true condenser design for exceptionally low self-noise and increased dynamic range. It provides enhanced low- and high-end response with improved linearity across the frequency range and high SPL capacity. The Nady microphone features a large dual-diaphragm capsule, selectable low-cut filter, 10dB attenuation pad, and 3 polar patterns (omni, cardioid, and figure 8). Uses an FET specially chosen for its low distortion and superior S/N ratio. Requires phantom power.
- Multiple polar patterns include omni-directional, cardioid pattern and figure 8^Large, pressure gradient condenser
- Gold sputtered diaphrgam and FET preamplifiers^Requires 48V phantom power
- Selectable 10dB attenuation pad and low cut filter
User questions & answers
Question: | Does an XLR female or male plug into the mic itself |
Answer: | Female |
Question: | Is a basemount mic holder included |
Answer: | No it is not. I picked up a generic one from china for $10:50 US and another style with a pop screen for $14:50 for a different type of mic. All had shipping included. |
Question: | Will this work plugged directly into a PC running Audacity |
Answer: | Sam is correct, this microphone has a condenser capsule that will work on as little as 5V phantom power, which nearly every smart device supplies, and most definitely PC's and laptops. |
Question: | How well does it record acoustic drums. I don't have an electric drum set. I have only an acoustic set |
Answer: | Large diaphragm mix wouldn't be good for close positioning record of drums. It could be set farther out and be effective though. . |
Product description
The CBM-40X Condenser Boundary Microphone is Ideal for a variety of sound reinforcement/recording applications: Choirs, orchestras, theatrical performances, interviews, courtroom proceedings, meetings & conferences. Cardioid pickup pattern and full frequency response of 30Hz~20kHz produce clear audio with excellent feedback rejection. Rugged die-cast alloy housing on rubber padding minimizes mechanical coupling of surface vibrations to the microphone. The condenser element requires external phantom power. 16’ mini-XLR to XLR cable included.
- Ideal for a variety of applications such as recording choirs, orchestras, theatrical performances, interviews, courtroom proceedings, meetings & conferences
- Condenser boundary microphone with a cardioid pickup pattern and full frequency response 30Hz-20kHz for clear audio and increased feedback rejection
- Built with rugged a die-cast housing on rubber padding to minimize mechanical coupling and surface vibrations
- 16-foot mini-XLR to XLR cable included
- Requires 48V phantom power
User questions & answers
Question: | Can this be used like a Shure SM91 boundary mic, in a kick drum |
Answer: | I'm not a music expert, but I don't see why not. I think it would need to be very close to the drum, to avoid having it pick up other sounds. |
Question: | How well would these work on the floor for, say, a high school musical |
Answer: | That is one of the uses this mic was designed for. Should work just fine, so long as the phantom supply voltage is up where it needs to be at 48V. |
Product description
A studio grade compact condenser microphone with great performance and value
The Nady CM 90 Cardioid Condenser Microphone is a versatile small-diaphragm condenser microphone, well suited for recording and stage reinforcement of acoustic guitar, drum overheads, hi-hats, snares, piano, and horns. The capsule is hand tooled from brass and features a 3-micron gold-evaporated-on-Mylar diaphragm for maximum sensitivity, long life, detail and tone. The rugged enclosure is made of brass, and is built to withstand the rigors of sound reinforcement and studio recording applications.
The CM-90 comes with a microphone clip, a foam windscreen (to block plosives from vocals and noise produced by wind), and a sturdy vinyl zipper pouch to protect your microphone while storing and transporting. Whether on stage or in the studio, the Nady CM-90 is an affordable and reliable solution for capturing detailed and realistic audio.
Specifications:
Type: True condenser pressure-gradient microphone with 0.79“ (20mm) diaphragm
Polar pattern: Cardioid
Open circuit sensitivity: 14mV/Pa=-37dBV (0dBV=1V/Pa)
Frequency range: 40Hz - 16kHz
Rated output impedance: Recommend load Impedance: ≥1000 Ohms
Max. SPL (1% THD @1000Hz): 131dB
Equivalent noise level to DIN 45405(CCIR 468-2) : 28dB
Power requirement: +48VDC phantom power
IEC 268-4 (A weighted): 19dB-A
S/N ratio: 75dB
Connector: 3-pin XLR (gold-plated)
- Professional quality small diaphragm condenser microphone with a tight cardioid polar pattern for studio and stage applications. Ultra-accurate sound reproduction of a multitude of sources, including acoustic stringed instruments (guitar, violin, piano), and percussions
- Powerful and versatile-meets the stringent requirements of even the most demanding digital recording and live sound applications
- High sensitivity, extended smooth, full frequency response and very high SPL capability. Transformerless design and internal FET preamplifier for minimal self-noise and increased dynamic range
- Rugged, turned-brass housing and internal sub-assembly shockmount for maximum reliability
- Includes Microphone clip, foam windscreen and zipper pouch for safe transport
User questions & answers
Question: | If i buy a usb adapter cable, can i plug this microphone into a computer and record directly on computer recording software |
Answer: | No. You will need an audio interface with mic preamp, 48 volt phantom power, and usb output. You can buy usb mics that are ready to plug in and record for as little as $25. Search "USB mic" in Amazon. |
Question: | How well does it record acoustic drums |
Answer: | not entirely well. I would only ever use it for overhead mics on a drum kit, but it sounds kind of thin. |
Question: | How far can I have the mic away from my face for it to hear me |
Answer: | It really depends on a lot of factors. 2 main ones are how loud are you speaking/singing and what environment you’re in. The mic is sensitive. It can pickup your voice quite easily from several feet away. Really depends on what you’re trying to achieve. You can get close with a pop filter and do voice over or back up a foot or so and sing into it/play an instrument. |
Question: | Is it phantom powered or needs a battery? thanks |
Answer: | Phantom powered.. |
Product description
The TCM-1100 Vacuum Tube Condenser Microphone is a versatile large-diaphragm microphone for general recording applications. Its tube output stage features a 12AX7 vacuum tube, for vintage warmth, color, and analog saturation. Cardioid pattern pickup and faithful sound reproduction - suitable for the most critical studio recording and broadcasting applications. Supplied with a sturdy portable plastic carrying case, 6-foot-long 7-pin XLR cable and TMPS-1 power supply(with switchable 115/230V operation and balanced output).
- Versatile large diaphram microphonewith a 12AX7 vacuum tube for vintage warmth, color and analog saturation with a cardioid pattern pickup suitable for the most critical studio recording and broadcast applications
- 3-micron gold-sputtered mylar diaphragm (1.1"), a unique gold-plated center element that extends the top octaves and enhances transient response
- Cardioid pattern pickup suitable for the most critical studio recording and broadcast applications
- Vacuum tube specially selected for low distortion, superior signal-to-noise ratio and low sensitivity to mechanical vibrations
- Comes with a 16' cable, a TMPS-1 power supply, and a rugged plastic case
Product description
The DM-80 Microphone delivers an enhanced low frequency response ideal for capturing kick drums and bass cabinets. It is also an ideal choice for both sound reinforcement and recording applications, and features a neodymium element for fast transient response, high headroom, and low distortion. The cardioid polar pattern minimizes leakage and extraneous signals from other instruments. The DM-80 includes a rubber mount that also aids in absorbing noise due to vibration, shock, and handling. Up to 140dB SPL handling capacity for distortion-free reproduction of even the loudest drums and other instruments. All metal construction for maximum reliability. Gold-plated XLR for maximum conductivity. Full frequency response for sonic punch with exceptional clarity.
- Cardioid polar pattern microphone for enhanced low frequency response, ideal for capturing kick drums and bass cabinets as well as sound reinforcement recording applications
- Neodymium element for fast transient response, high headroom, low distortion and limited bleed-through from other drum kit pieces
- Up to 140dB SPL handling capacity for distorion-free reproduction of even the loudest drums and instruments
- Rugged die-cast body with internal shockmount and hardened steel grill for durability
- Gold-plated XLR for maximum conductivity
User questions & answers
Question: | does this include mic cable |
Answer: | No, microphone cables to connect this microphone to other equipment are sold separately. |
Question: | would this mic be good for recording low rumbling truck exhaust sound 20 ft away |
Answer: | No... too far.. |
Question: | what type of xlr plug ( male or female) hooks into the mic? thanks |
Answer: | The mic has a male out - meaning you would use a typical xlr cable that has one end female, the other male. Female end plugs into mic and male end into your mixing console or snake etc. |
Question: | Would this mic be good for recording heavy foot steps (not music of any sort)? Fyi... I do not have a lot of experience with mics |
Answer: | No, this is a dynamic mic. You would need a condenser mic. I mean you could record foot steps with it but you won’t have any detail |
Product description
The NADY HM-10 ultra small condenser headset microphone is optimally designed for singing and speech applications. The HM-10’s small size and light weight make it ideal for all hands-free use with minimum visibility. Perfect for singers/musicians (drummers, keyboardists), vocal/dance performers, DJ’s, television announcers, public speakers, and aerobics instructors. Wide bandwidth, omni-directional electret condenser mic ensures clean transparent audio and enhanced vocal pickup with improved gain before feedback. Durable, thin metal frame can be easily molded to any user, plus an ergonomic design and comfortable fit with or without glasses, hats, or headphones (also no hairstyle hindrance). Tiny capsule with diameter of 5.0 mm for lightest weight and hours of comfortable use, plus three sizes of foam windscreen included to reduce wind and popping noise. The microphone boom is extendable and fully adjustable 100 degrees for optimum mic capsule placement. Available with Mini-XLR or 3.5mm phono plug for wired and wireless applications (fits most standard wireless bodypack transmitters.) A low voltage Phantom Power required for use. Simply connect the Mini-XLR or 3.5mm phono plug of the microphone cable to the input jack of the bodypack transmitter or power supply adaptor. Box contents include: HM-10 headmic with small foam windscreen, additional medium and large foam windscreens, extra boom assembly, user guide and warranty card. Optional Accessories: XM-10 — Mini-XLR to XLR phantom power adaptor (converts 48V phantom power to 5V-10V DC) and HM-CC1 — Plastic headmic carrying case.
- Omni-directional electret condenser mic
- Durable thin-metal frame
- Ergonomic design and comfortable fit
- Includes 3.5mm phono plug for wired and wireless applications (fits most standard wireless bodypack transmitters) and mini-XLR connectivity also available, sold seperately
- Require low voltage phantom power as supplied by most wireless bodypack transmitters
- 9~52V adapter supplied for wired applications
User questions & answers
Question: | Im a drummer and i need to start singing backup, will this mic work with the loudness of my drums |
Answer: | I would not recommend this mic. It is an omni and will pick up a LOT of sound bleeding into the mic from the drums. I am also a drummer and use the ATM-73a which is a cardioid mic. This does a much better job of focusing on my vocals |
Product description
The CM-100 is perfect for use with real-time analyzers for precise, accurate room acoustic alignments.
It is especially suited for highly effective, detailed recording of acoustic guitars and vocals. It features a rugged construction, gold-plated XLR, and internal shockmount. Includes foam windscreen for outdoor applications and microphone stand clip (including 5/8” to 3/8” adapter). Requires 48V phantom power.
- Ultra linear classic diaphragm electret condenser microphone optimally designed for use with real-time analyzers for precise, accurate alignment applications such as room acoustics corrections
- True, symmetric omni-directional pattern provides high sensitivity, minimal self-noise, increased dynamic range and high SPL capability
- Ideal for highly detailed recording of acoustic guitars and vocals
- Rugged construction, gold-plated XLR, and internal shockmount for maximum reliability
- Includes foam windscreen for outdoor applications and mic stand clip (including 5/8″ to 3/8″ adapter). Requires 48V phantom power
Product description
- Linear full-range response with crisp mid-range presence for optimal clarity and punch. A perfect all-purpose, versatile stage and recording microphone
- Powerful neodymium element cuts through the loudest sound pressure level situations without compromising sound. Ultra-light aluminum voice coil & transformerless design provide noise-free, accurate reproduction across the audio spectrum
- Tight cardioid polar pattern provides excellent off-axis rejection for superior gain before feedback. Advanced capsule multi-axis rubber shockmount minimizes handling noise. External on/off switch for easy control of audio from stage
- Rugged, all-metal construction for maximum reliability featuring a zinc die-cast case and steel mesh windscreen with anti-dent ring
- Professional grade 15 ft. XLR-to-1/4 cable supplied
User questions & answers
Question: | Does this work with asio SA76 44 mini |
Answer: | Works great! Can't go wrong for the price |
Question: | can this microphone be plugged in a laptop and can you hear the sound clearly if you do or does it have to be an amplifier |
Answer: | You can plug it into a laptop using an adaptor (female 1/4" to male 3.5mm - available at any radio shack) - if you want to record into the computer or broadcast on the internet. If you are trying to amplify your sound, you will need to plug into an amp and speaker - laptop speakers are not intended to project sound at high volumes or cover large distances/areas. |
Question: | Can you use it with out the cord |
Answer: | This is a corded mic so the mic must be plugged in to use. |
Question: | Can this microphone be plugged into a Casio CTK-700 keyboard |
Answer: | That is so weird...i have that very keyboard,..yes it does. |
Product description
The Nady USB-1CX USB Condenser Microphone is perfect for recording studio vocals, acoustic instruments, podcasts, ambient instrument audio, or any audio source to your preferred DAW (Digital Audio Workstation). Just connect the mic to your computer's USB port with the supplied USB cable and launch your DAW. You are now ready to record! Powerful and versatile, the USB-1C microphone meets the stringent requirements of even the most demanding digital recording and live broadcasting applications.
- Perfect for high-quality recordings of vocals, acoustic instruments, and ambient instrumentation as well as pod-casting and online communication
- Connects directly to any computer with a USB 2.0 (or higher) input port for easy plug-and-play operation
- Features large pressure-gradient condenser gold-sputtered diaphragm and FET preamplifiers for warm, natural reproduction of the most subtle to the most powerful audio sources
- Full frequency response with rich warmth and crisp, transparent audio
- Minimal self-noise, increased dynamic range, and maximum SPL capacity
Product description
Helps dial in your live sound quickly and accurately. The Nady CM100 Reference Measurement Condenser Microphone boasts a true symmetric omnidirectional pattern. CM100 Mics have high sensitivity; minimal self-noise; increased dynamic range; high SPL capability; and extreme smoothness. You can take advantage of the linear 15Hz to 20kHz frequency response to provide ultimate precise measurements and transparent recordings with your Nady CM100.
- Perfect for use with realtime analyzers for precise, accurate room acoustics alignments Especially suited for highly effective, detailed recording of acoustic guitars and vocals Rugged construction, gold-plated XLR, and internal shockmount Includes foam windscreen for outdoor applications and mic stand clip (including 5/8" to 3/8" adapter)
- The Nady CM100 Reference Measurement Condenser Microphone boasts a true symmetric omnidirectional pattern
- CM100 Mics have high sensitivity; minimal self-noise; increased dynamic range; high SPL capability; and extreme smoothness
- You can take advantage of the linear 15Hz to 20kHz frequency response to provide ultimate precise measurements and transparent recordings with your Nady CM100
- The Nady CM100 Reference Measurement Condenser Microphone boasts a true symmetric omnidirectional pattern
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