3 best tascam preamps

Product description

TASCAM's US-4x4 combines great audio quality and ergonomic design for a powerful 4-in/4-out USB 2.0 interface. Four of TASCAM's Ultra-HDDA mic/line preamps provide up to 57dB or gain with nearly inaudible noise and distortion specs. The audio design features high-performance, musical components like NE5532 op amps for rich sound quality without coloring the source. The US-4x4 is powered through its USB 2.0 connection or an optional power adapter. Driverless operation is possible for plug-and-play operation on Mac OSX and iOS devices like the iPad, and a simple driver adds ASIO compatibility for Windows. MIDI in and out are also included for connecting synths, drum machines, and controllers. The interface includes two DAW applications to choose from - both Cakewalk SONAR X3 LE and Abelton Live Lite 9. With solid audio specs, iOS compatibility, and an easy-to-read angled design, the US-4x4 is the ultimate 4-channel interface for home, project, and mobile studios.

• Combines great audio quality and ergonomic design for a powerful 4-in/4-out USB 2 Audio interface
• Four of TASCAM’s Ultra-HDDA mic/line preamps provide up to 57dB of gain with nearly inaudible noise and distortion specs
• The audio design features high-performance, musical components like NE5532 op amps for rich sound quality without coloring the source
• Includes class-compliant drivers for plug-and-play operation on Mac OSX and iOS devices, and a simple driver adds ASIO compatibility for Windows
• MIDI in and out are also included for connecting synths, drum machines, and controllers
• Includes two DAW applications to choose from–-both Cakewalk SONAR X3 LE and Abelton Live Lite 9
• Features XLR and TRS inputs that accept balanced mic and line level signals, with a high-impedance option for recording electric guitar and bass

User questions & answers

Question:	Does this set allow me to host a podcast with 3 people (myself and 2 guests)? I will have 3 xlr mics, but am wondering if they will all be able toplug
Answer:	I put my 25lb dog on 2 small flannel blankets in the basket to take to the park. He loves it! I would say that more than 40lbs would not be a good idea. The 2 supporting legs would probably bend between 40 to 50lbs.
Question:	Can I use this interface just for listening to music? Im using 2 krk 10 and 2 krk 6 and planning to connect them to this interface for listening music
Answer:	Yes it attaches to front axle bolts, and my tires are 29" and it leaves the basket with a slight downward incline. With 28" it should actually be a little bit more level.
Question:	anybody know where to find the ipad SW
Answer:	Dear valued Amazon Customer, Yes, it will fit with the fender. If you have additional questions or need replacement parts under warranty for the Wald 198 Front Bicycle Basket- call us at 1-877-BIKEAID (245-3243) and we would be pleased to assist. Thanks and best!
Question:	Does this support phantom power for overhead Condenser Mics? Looking to use to record drum tracks
Answer:	Most certainly! These are brackets so they're adjustable. Then the weight sits on the fork at the wheel. Order it, you'll like it I hope as much as I like mine.

Product features

US-4x4

TASCAM’s US-4x4 combines great audio quality and ergonomic design for a powerful 4-in/4-out USB 2 audio interface.

Four of TASCAM’s Ultra-HDDA mic/line preamps provide up to 57dB of gain with nearly inaudible noise and distortion specs. The audio design features high-performance, musical components like NE5532 op amps for rich sound quality without coloring the source.

The US-4x4 includes class-compliant drivers for plug-and-play operation on Mac OSX and iOS devices like the iPad, and a simple driver adds ASIO compatibility for Windows. MIDI in and out are also included for connecting synths, drum machines, and controllers. The interface includes two DAW applications to choose from – both Cakewalk SONAR X3 LE and Abelton Live Lite 9.

Ultra-HDDA Mic Preamps Deliver Low Noise& Low Distortion

TASCAM's Ultra-HDDA (High Definition Discrete Architecture) mic preamp design is based on discrete components, just like classic professional gear. They achieve an incredible EIN rating of -125 dBu, meaning their noise level is practically below the range of hearing. Other impressive specs include a signal-to-noise ratio of 101 dB, out-speccing anything in its price range. But instead of judging the design merely by test measurments, key components were selected following extensive listening tests.

XLR and TRS Accept Balanced Mic and Line Level Signals

The mic input features a professional XLR connector, which supplies +48V phantom power for condenser microphones. The US-4x4 is built from heavy duty metal throughout, so it stays on your desk even when moving mics around. An additional TRS input jacks is provided for balanced line-level signals from professional processors and synthesizers. Finally, the first two inputs can be switched to high-impedance for direct recording of electric guitar and bass. (Only the XLR or 1/4" input can be used, not both at the same time.)

Angled design provides excellent usability on a desktop

The angled design desktop viewing and operation much more comfortable for tabletop use. All other interfaces have their controls on the front or the top of the device, causing you to crane your neck to read the knobs and switches. The US-2x2 and 4x4 are at a natural angle, making operation easier to keep you creative.

Separate Volume Controls for Headphones and Line Output

The US-2x2 and US-4x4 include both headphone and line output volume controls. Even when both powered monitors and headphones are connected, the user can set an optimum level for each during operation. And when you want to work on headphones, you don't need to reach around to switch off your monitors.

Sleek Industrial Design Inspires Creativity

These powerful new interfaces are housed in modern industrial designs that are as ergonomic as they are stylish. TASCAM was the first company to offer a USB audio interface, and we have fused our years of experience with acclaimed German from designbox.

TASCAM's new US series satisfies the needs of musicians from an aesthetic as well as ergonomic perspective. With its unique honeycomb structure on the side panels, the main body has a sense of weight while also maintaining a delicacy that matches the user's needs. Honeycomb structures are a feature of modern architecture, but are also a vital resource whose exceptional technical structure we can use in design. As this structure is found in nature, it has a stability and flexibility which comes with being an organic form.

-Axel Hartmann@ designbox

designbox : A German audio design company founded by Axel Hartmann and Stephan Leitl in 1995, designbox has worked on famous music industry products such as synthesizers, effect pedals and amp simulators.

Product description

The Tascam DR-60DmkII 4-Channel Portable Recorder for DSLR is the new audio recording solution for on-set filmmakers and videographers using DSLRs. For years, filmmakers have been trying different methods for recording audio - including the use of bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLRs. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for. The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAMs decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4"-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4"-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage. The DR-60D is incredibly easy to use, employing TASCAMs very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAMs Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market. Quality mic preamps are a necessity for quality sound. The DR-60DmkIIs HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and parts, approved after months of evaluation testing by Tascam. The HDDA s circuit achieves a high equivalent input noise (EIN) of -120 dBu for low input noise. The DR-60DmkII mic preamps have been upgraded from their predecessor for up to 64 dB of gain with XLR input jacks for greater cable comp

• ENSURE YOU BUY GENUINE TASCAM PRODUCTS! Products from sellers which say ‘fulfilled by Amazon’ under the price MIGHT NOT be an authorized TASCAM reseller, and might not be selling genuine TASCAM products which would forfeit any manufacturer warranties.
• Fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limits of the camera’s microphone in
• Record up to 4 channels at a time to the internal SD Card, at up to 96kHz/24-bit WAV file resolution
• Two mic inputs utilize locking XLR connectors with 48V phantom power; the other two use a 1/8” stereo connector for wireless and lav mics
• The channel 3/4 input connector supports a high-level maximum input – up to +10dBV
• The upgraded HDDA preamps provide up to 64dB of gain and some of the lowest noise levels available

User questions & answers

Question:	Says it does 4 channel recording. It takes 4 individual channels and combines them to 2 stereo channels. Is there a way to maintain 4 separate channe
Answer:	Hello, Yes, you can use the Scarlett 18i8 (3rd Gen) with Reaper. Best regards, Jay Lilley // Focusrite Technical Support Engineer
Question:	I have a problem with the 60D not working with rechargeable batteries, even after changing the battery settings. Anyone else have this? Know of a fix
Answer:	Hello, Yes this is possible in Windows. To expose additional channels from your Scarlett interface to non-ASIO applications (e.g. Skype, Discord, Zoom, Audacity) first click the Focusrite Notifier icon in the taskbar, then click "Expose/Hide Windows Channels": Best Regards, Anthony // Focusrite Support
Question:	What's a good USB battery pack to pair with this
Answer:	The biggest change is in the headroom. These preamps and converters are cleaner and offer more gain than the 2nd gen. These pres also come equipped with the "Air" mode which adds some high end to model the ISA preamp circuit. The 3rd gen 18i20 also has 16 ADAT I/O channels as opposed to the 2nd gen's 8 channels of ADAT. The removable ears also help with portability for the engineer who doesn't want to keep the interface in a rack. If this was helpful, please consider purchasing from us (pixelproaudio on Amazon). We can help with support after the sale as well. We have it in stock and ready to ship. - Pixel Pro Audio
Question:	What's the difference between this and the previous version of the DR60D
Answer:	Hi, There have been several improvements made to the 3rd generation range of interfaces. Firstly, all of the inputs on the 18i20 3rd gen feature Air mode, emulating the classic sound of our original transformer-based ISA preamps. Secondly, the 18i20 3rd gen now has the ability to switch between Main and Alternative speakers connected to it using a front panel button. Thirdly, we have added a built-in Talkback function (allowing the engineer to talk directly to the performer), a Loopback function (allowing audio from one application to be recorded into another without connecting cables), Dual ADAT ports for recording 16 channels of audio into the DAW at 96kHz, optical S/PDIF and removable rack ears. Lastly, the specifications of the preamps and conversion have been improved even further - for example, the dynamic range has been increased to 111dB and the gain range is now 56dB instead of 50dB on the 2nd generation. Best regards, Laurence Clarke // Focusrite Technical Support

Product features

TASCAM DR-60DMKII

The DR-60DmkII is the audio recording solution for when you're on-set. It fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limits of the camera’s microphone in. The upgraded HDDA preamps provide up to 64dB of gain. Record up to 4 channels at a time to the internal SD Card, at up to 96kHz/24-bit WAV file resolution. Two of the mic inputs utilize locking XLR connectors with 48V phantom power, and the other two use a 1/8” stereo connector for wireless and lav mics.

High-Quality HDDA Mic Preamps

High quality mic preamps are a necessity for high-grade sound. The DR-60D's HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and premium parts, approved after months of evaluation testing. The HDDA s circuit achieves an incredibly high EIN (-120dBu) for the lowest noise level available. The DR-60DmkII mic preamps have been upgraded for up to 64dB of gain with new XLR input jacks for greater cable compatibility.

Soft-Touch Controls

Every aspect of the DR-60DmkII is designed specifically for DSLR Audio for Video Recording. The keys of the unit are designed specifically for quiet operation to eliminate handling noise. The Slate feature is designed to mark tracks easily while in production. The input and output layout is designed for versatile use. Whether the device is used under a camera, on a rig or strapped around a solitary sound engineer, TASCAM's DR-60D will meet all on-site audio production needs.

Ch 3 & 4 Inputs Support High-Output Microphones

The channel 3/4 input connector supports a high-level maximum input – up to +10dBV. Many microphones designed for use with video cameras have a high-level output and a 3.5mm output connector. Plug-in power is also available for microphones that need it.

Lightweight Body Designed for Rugged Portability

The DR-60DmkII's body was manufactured with very rigid plastic for a durable but lightweight design. TASCAM understands how important weight is to steady camera movement when filmmaking. In addition to its light weight, the feature-rich DR-60DmkII is extremely compact. Only 5.25" wide, the DR-60DmkII won’t interfere with camera operation. All batteries can be replaced without removing the device from the Camera or tripod / rig.

Product description

With superb audio specifications and connectivity and featuring an outstanding microphone preamp, the Tascam Series 8P dyna is a great choice for both studio and stage. Housed in a rugged 1U Rack-Mount casing, its dual S/MUX optical ports make it a perfect expansion unit for a Tascam Series 102I or Series 208I or other S/mux-equipped audio interfaces including ADAT, or use it as a stand-alone front end. Each series 8P dyna channel also features individually switched +48V phantom power for use with condenser mics, and an easy-to-use, single-control analog compressor with true bypass.

• From high-end preamps to versatile outputs right down to a rugged metal 1U rack-mount enclosure, the SERIES 8p Dyna is thoroughly professional
• The eight TASCAM no-compromise HDIA preamps in the SERIES 8p Dyna are our most transparent, natural, ultra-low-noise preamps yet
• Features an easy-to-use, single-control analog compressor with true bypass for handling hot input signals and creating smooth audio input
• With two combo instrument/microphone front inputs and six balanced mic/line inputs in the rear, you can quickly plug in mics, guitars, bass and more
• Every mic input has individual +48V phantom power for using different types of mics for proper operation and safety
• Dual S/MUX optical outputs on the rear enable you to use the unit as a front end expander and send all eight channels at up to 96 kHz
• Eight line-level analog channel outputs let you route signals to interfaces, recording mixers, front-of-house consoles, and pretty much anything else

Product features

SERIES 8p Dyna

With superb audio specifications and connectivity and featuring an outstanding microphone preamp, the TASCAM SERIES 8p Dyna is a great choice for both studio and stage. Housed in a rugged 1U rack-mount casing, its dual S/MUX optical ports make it a perfect expansion unit for a TASCAM SERIES 102i or SERIES 208i or other S/MUX-equipped audio interfaces including ADAT, or use it as a stand-alone front end.

Each SERIES 8p Dyna channel also features individually switched +48V phantom power for use with condenser mics, and an easy-to-use, single-control analog compressor with true bypass.

A Superior Front End for Studio and Stage

TASCAM has long been known for transparent, natural, ultra-low-noise preamps, and the eight TASCAM no-compromise HDIA (High Definition Instrumentation Architecture) preamps in the SERIES 8p Dyna are its best preamps yet; the noise level (EIN) is at -127dBu, the THD is 0.0007%, the dynamic range is 116dB, and the crosstalk is 119dB. Each SERIES 8p Dyna channel also features an easy-to-use, single-control analog compressor with true bypass for handling hot input signals and creating smooth audio input.

Versatile Inputs

With two instrument/microphone combo inputs on the front panel, you can quickly plug in mics, guitars, bass and more. Six balanced mic/line inputs grace the rear. Every microphone input has individually switched +48V phantom power for using different types of microphones such as Dynamic, Condenser, Ribbon and vintage for proper operation and safety. It adds up to a multi-purpose front end for recording and live sound.

Expand Your Interface or Other Device

Dual S/MUX optical outputs on the rear of the SERIES 8p Dyna enable you to use the unit as a front end expander for S/MUX-equipped audio interfaces, such as TASCAM's SERIES 102i and SERIES 208i, and Celesonic US-20x20. ADAT compatibility is also available. With two S/MUX outputs, you can send all eight SERIES 8p Dyna channels at up to 96 kHz (four channels at 176.4 or 192 kHz), dramatically expanding your system's capabilities.

Send to Anything

The SERIES 8p Dyna's eight line-level analog channel outputs are provided on both 1/4-inch balanced TRS connectors and balanced 25-pin D-Sub connectors. Route signals to interfaces, recording mixers, front-of-house consoles, and pretty much anything else. Connect its D-Sub outputs to a TASCAM ML-16D or ML-32D Analog Dante converter, and it becomes a pristine front end for an audio-over-IP network.

The Features Professionals Need

From its high-end preamps to its versatile outputs, the SERIES 8p Dyna is a thoroughly professional product, right down to its rugged metal 1U rack-mount enclosure. Word clock in and out BNC connectors with an In/Out/Thru switch enable proper synchronization of digital signals. Front-panel analog overload indicators, compression indicators, and digital peak and level meter bars let you monitor the unit's performance. Yet the SERIES 8p Dyna is simple to operate so you can stay focused on the task at hand.