12 best microphone preamps

Product description

1-Channel +25dB in-line microphone preamplifier.

• Uses Phantom power to give passive mics (mainly used for dynamic and ribbon mics) up to +25dB without passing Phantom power on to mic
• Easy to use self contained design requires only Phantom power to work. **Does not use Phantom power to power mics
• Recommended for use with all passive dynamic microphones
• Compatible with tube, battery, or power supply driven microphones – safe for all passive ribbons with no transfer of Phantom
• Does not power the mics themselves using Phantom power (that is not what this is designed for). instead, place the cloudlifter at the front of your dynamic mic, then hit it with Phantom Power and your basic mic (even an SM58 style mic) will shine like never before

User questions & answers

Question:	Has anyone used this with a heil pr-40 microphone
Answer:	Hi Jeremy...Have not used my cloudlifter with the Heil pr-40.... but since it is a dynamic mic the cloudlifter might just be what the doctor ordered. As you probably know... the unit is great for a 20-25 db boost for mics that would be noisy when you crank the gain/trim pot on a preamp or mixer. I had that experience with an RE-20... noisy as can be when cranking the mixer gain... but clean as a whistle when hooked to the Cloudlifter. Just so you know my signal chain is Neumann TLM 102 mic into an Aphex 230 pre... through a small mackie mixer... into a Presonus firebox interface and finally a PC running Adobe Audition CS6. I have the gain on the pre set at about 2 o'clock and the output level turned all the way down. That means my initial record level is about -16 db and then I just boost it about 5 bd... do my eq and compression processing... then normalize to -3 db. This gives me a pristine noise floor. Hope this helps in spite of the fact I have not have the direct pr-40 through cloudlifter experience.Regards
Question:	Is this better used for condensor or dynamic microphones
Answer:	The CL-1 is useful only for dynamic and ribbon microphones, and will not work at all with condensers. The reason for this is that the 48v phantom power supplied from a USB interface, or a mixer, is used by the CL-1 to generate ~25dB of very clean gain. However, this means that the power doesn't get distributed further down the line. If your mic requires phantom power, the CL-1 is useless. However, if you're using a dynamic, the CL-1 is WONDERFUL, it helps generate very clean gain from almost any source. Definitely recommended for dynamics and ribbon microphones.
Question:	Will this do anything for me if my preamps are already pretty great? I'm using an SM7b
Answer:	The answer hinges on your definition of "pretty great". What you need from a preamp when you're using an SM7b is plenty of quiet gain. There are many really great preamps that don't have that. This mic needs so much boost that you're going to bring out the noise in just about every pre. The SM7b is a great mic, but I would simply not record it without a Cloud Lifter regardless of the quality of the pre.
Question:	Do i need 2 xlr cables for this to work? or will just one cable do
Answer:	Yes, you will need two XLR cables. The CloudLifter CL-1 is intended to be used with both a microphone and a mixer, or a mic and n XLR/USB interface. The CL-1 takes the 48v phantom power from a mixer or interface and turns it into around 25dB of very clean gain. It's intended for use with ribbon microphones, like the Fathead, or dynamics, like the SM58; if you are using a condenser microphone, like the NT1-A, then the CL-1 won't work, since it DOES NOT transfer 48v phantom power to the microphone. In my setup, I've used an SM58, going into the CloudLifter, then going into the FocusRite Scarlett 2i2 XLR/USB interface. (You may want to use the Scarlett Solo, if you only intend to use one mic. It's got the same preamp, but is slightly cheaper.) The end result is very clear, loud, and not at all noisy. I hope this helps you out!

Product description

ART TubeMPSTV3 Variable Valve Voicing Tube Mic Preamp With Limiter

• Dimensions: 5.0"D x 5.5"W x 2.0"H
• Weight: 1.5 lbs
• Rugged all-steel construction
• Designed for years of continuous, reliable performance
• 1 year warranty

User questions & answers

Question:	I want to use this with a ribbon mic sans phantom. Aim is natural sound of my acoustic instrument. How transparent is the neutral setting
Answer:	A ribbon mic not only does not need phantom power. accidentally switching phantom on may destroy the mic. I like ribbons also. The ART is a great bargain and sounds good generally, but it is not a professional unit, and you get what you pay for. I bought mine because I wanted a "tube flavor" on some tracks. It does not excel at this. But it is a useful unit in other ways, so I kept mine. It is pretty neutral for a tube device, maybe a tad noisier because of the valves.
Question:	I'm looking for a way to boost the sound volume and quality coming from a blue spark mic for voice-over work. is this what i need
Answer:	I'm assuming you have the regular Spark, not the digital (USB) version. I have not used the ART for that application, but I find the unit to be a versatile free-standing single channel pre-amp. It's controls allow setting of gain and output, and it will supply phantom power to the mic. Very good bang for the buck, and highly portable.
Question:	Does this device provide a both left and right output for headphones (mono, but to both sides of the head phone)? thanks
Answer:	There is no headphone output on this unit. This is a preamp. It is used before the input on a mixer channel.
Question:	Can this preamp be used safely with a passive ribbon microphone
Answer:	It should work fine as long as you leave the 48V Phantom off. If you forget, and send phantom power to your ribbon it will never work again. My Tascam Port-a-Studio always defaults to "phantom off" when powered down (or up) and requires 2 keystrokes to turn it on "are you SURE?" This precaution prevents sending phantom to any input other than a condenser mic, which only works with 48V DC.

Product description

2-Channel +25dB in-line microphone preamplifier.

• Ultra-Transparent World Class Design
• Ideal For Low Output Passive Dynamic/Ribbon Microphones
• Turns Phantom Power into +25db Inline Pre-Amplification
• Free lifetime limited warranty for parts and labor, with registration
• A Must-Have Tool for Dynamics and Ribbons

User questions & answers

Question:	I see that it has 2 mic inputs. would this be useful for a 2 person podcast with 2 sm7bs
Answer:	That would be a great use for it
Question:	does it work with guitars
Answer:	I suppose it could work, but I don't see the benefit of doing so; perhaps it might even introduce distortion.It is designed for low-output dynamic microphones and ribbon microphones. It takes XLR input; not 1/4" jack input.It doesn't have variable gain.It has just 3000 ohm mic impedence.It is designed to add additional gain for existing pre-amps that should already have enough gain for a guitars.Disregarding the above, isn't typical instrument output levels around -20 dBu? The Cloudlifter provides 20 to 25-db of gain, which is designed to bring microphones that output -60 db up to around -40-db; With a guitar already around -20 db, a cloudlifter might push signal output over line level -- I would suspect that there might be distortion as a result. I wouldn't even recommend the Cloudlifter for most condenser microphones for this reason, as they too have a loud output already.Ultimately, I don't know for sure, but I suspect the answer from most people will be no.
Question:	How many inputs in this mic Preamp
Answer:	It's a 2-channel "pre-pre amp" It is not a substitute for a mic preamp. It is used in conjunction with 2 channels of mic preamps which can supply phantom power to this "pre-pre". It is designed to add an additional 25 dB of gain which is useful if one's actual pream has only moderate gain and you are using low output ribbon or dynamic mics. It will not work with a phantom-powered condenser mic or an "active" ribbon mic which require phantom power.
Question:	What type of xlr cables should i get to use this? i have a shure sm7b. female to male? the from the cloudlifter to a scarlett 18i8 what cable to get
Answer:	2 normal XLR mic cables will do it. One from the mic to the cloud lifter and one from the cloud lifter to the interface. The cloud lifter is designed to sit in between the mic and the interface. It’s powered by phantom power from the interface.

Product description

The FetHead from TritonAudio is a low-noise, in-line microphone preamplifier that provides improved sound for ribbon and dynamic microphones. The electronics are housed in a metal chassis with a balanced 3-pin female XLR input and a balanced 3-pin male XLR output. It is suitable for use at home, in the studio, on tour, and more. FetHead's circuit uses phantom power but shields it from the input and the microphone's output, providing protection to the microphone. Attach FetHead to a balanced microphone cable and plug it straight into the microphone. Switch on phantom power and enjoy clean gain. This works with any microphone.

User questions & answers

Question:	I have a shure sm57 that tends to be quiet when recording through my usb interface. Will this give a stronger signal
Answer:	Yes, it typically sees an increase of 26Db of boost in Gain. Be sure to drastically drop the input of your interface to where it’s only around 25% - 30% volume. No joke, your mic will be coming in hot. Also make sure your interface has phantom power. Cheers!
Question:	Which end of the preamp goes to the microphone and which end to the cable
Answer:	On all images i saw at online stores, i see that the top end goes to the microphone, & the bottom go to the cable.
Question:	The k6 option is expensive can I used this for the sennheiser instead
Answer:	Currently using it with sennheiser e935 here. It works really great!
Question:	Why does it say it’s for condenser microphones in the description but shows dynamic mics in the pictures
Answer:	The Fethead Phantom is for condenser microphones because it supplies phantom power to condenser mics that need it. The other version of this product, just a plain Fethead, does not supply 48 V. That is the version you would use for dynamic or ribbon mics. Though it may be possible for some microphones to use either one, I would not recommend it. Use the version of the Fethead that is intended for your particular type of microphone, condenser or dynamic. I have both, and I recommend both of them for the appropriate type of microphone. They do a really good job of adding gain with very little to no noise.

Product description

The simplest model in the range, the third-generation Scarlett Solo provides singer-songwriters with a reassuringly easy recording process. Equipped with high performance 24-bit/192kHz AD-DA converters, Scarlett S the same professional sound quality throughout the third-generation range. Its features include a single upgraded third-generation Scarlett mic preamp: with a switchable air setting to reproduce the air effect of Focusrite's original ISA mic preamp, giving your vocal recordings a brighter and more Open sound. The high impedance, high-headroom instrument input allows you to record guitar or bass without any clipping or unwanted distortion, while gain Halo metering makes it easy for you to set the input level. And Scarlett Solo's balanced outputs are hum-free when connecting studio monitors with balanced inputs, so you’ll always have pristine audio playback. Scarlett Solo is designed to stand up to days on the road and connects straight to your Mac or PC via USB cable, with no external power required. It comes with all the software tools you need to get started, including two comprehensive digital audio workstations: Ableton Live Lite and pro Tools first Focusrite creative pack. Intuitive enough for beginners yet advanced enough to inspire real creativity with great-sounding effects. Focusrite has partnered with Splice to give 3rd Gen. Interface owners a free month Splice sounds subscription when setting a new Splice account. Splice sounds offers millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily from your favorite producers, sound designers, and artists. Creators use Splice to make all kinds of music, including chart-topping pop, Grammy-winning albums, underground mixtapes, and cinematic scores. As with all Focusrite products, you’ll also benefit from a two-year, award-winning customer support, and membership of their plug-in Collective offering free software downloads and generous discounts. Interested in what headphones are compatible with Scarlett? Search 'Headphones' on the Focusrite help centre for more information.

• One of the best performing mic preamps the Scarlett range has ever seen, now with switchable air Mode to give your recordings a brighter and more open sound. One high-headroom instrument input to plug in your guitar or bass. Two hum-free balanced outputs provide clean audio playback.
• High-performance converters enable you to record and mix at up to 24-bit/ 192kHz.
• Quick start tool to get up and running easier than ever.
• Includes Pro Tools | First Focusrite Creative Pack, Ableton Live Lite, Softube Time and Tone Bundle, Focusrite’s Red Plug-in Suite, 3-month Splice subscription, and your choice of one free XLN Addictive Keys virtual instrument, all available via download upon purchase and registration
• LIMITED TIME OFFER: FREE Klevgrand DAW Cassette upon registration and download.

User questions & answers

Question:	Is the headphone jack on this for monitoring your inputs, or does your PC audio come through it aswell
Answer:	Hi, You can monitor your inputs and listen to playback from your computer simultaneously, which allows you to create overdubs with next to zero latency. You can either choose to monitor the inputs using the Direct Monitor switch, or you can use the Input Monitor feature in your DAW. If using the Direct Monitor feature the input signal will be passed directly to the line and headphone outputs, whereas if you use the Input Monitor feature in your DAW, you will be hearing the audio you're recording back from your DAW. In either case, you can still hear any other audio playing back from your DAW at the same time as recording. Best regards, Laurence Clarke // Focusrite Technical Support
Question:	What type of usb cable does this come with? is it a type-c to type-c or a type-c to type-a
Answer:	Hi, This comes with a type-c to type-a cable. If you have type-c ports, you will need to purchase a type-c to type-c USB cable separately. Best regards, Laurence Clarke // Focusrite Technical Support
Question:	Does the XLR input only record audio to the left side
Answer:	Hi, When recording a single microphone, you should ensure that you create a mono audio track in your DAW instead of a stereo audio track. When you record onto a mono audio track, the output from that track will be heard on both sides of your headphones or speakers (ensuring the output is set to stereo), however, if you record onto a stereo track, the audio will just be recorded onto the left side of a stereo file and you will ony hear it on the left of your headphones/speakers. This is explained in more detail here: https://support.focusrite.com/hc/en-gb/articles/206849779?flash_digest=62885ef974b4eb116f3b3ea2c9b9c38ddb871473 Best regards, Laurence Clarke // Focusrite Technical Support
Question:	can this power 250 ohm headphones
Answer:	I have a 650 , 300 ohm and it's enough to play it at okay volume but not enough to power it completed I'm looking at an Amp to pair this with

Product features

The perfect audio interface for a singer-songwriter

You’ve found the simplest USB audio interface we make. If you want to start creating studio quality recordings with your guitar, the 3rd Generation Scarlett Solo provides an easy way in.

Product description

Note: Phantom power provides a 48V voltage to the condenser microphone, but phantom power does not enhance the microphone sound quality and improve the normal volume; Microphone, Pop Filter, Mic Stand and 3.5mm to XLR Female Microphone Cable in the picture Not Included

Description:

Neewer 48V Phantom Power Supply delivers reliable 48V phantom power for condenser microphones in a compact, durable, plastic housing.

Enjoy ultra low-noise audio performance and full-frequency response.

High-quality components and rugged construction will ensure this power supply with stand up to the test and perform on all occasions.

Comes with one XLR audio cable with high quality XLR male and female connectors.

On/off power switch and LED indicator.

Specifications:

Input Voltage: 110V

Material: Plastic Housing

Power Supply Size: 3.9" x 3.5" x 1.6" / 10 x 8.8 x 4.1cm

Package Contents:

1 * 48V Phantom Power

1 * Adapter

1 * XLR Audio Cable

• Input Voltage: 110V
• Delivers reliable 48V phantom power for condenser microphones and transfer sound signal to sound card in a compact, durable, plastic housing.
• Universal XLR input and output, compatible with all kinds of microphone music recording equipment.Comes with one XLR audio cable with high quality XLR male and female connectors.
• Features a single channel unit with balanced mic inputs and outputs to connect in-line with your mic and mixer.
• On/off power switch and LED indicator for ease of operation. One Adapter is included. Simple to use and ideal for stage and studio use.
• Note: Phantom power provides a 48V voltage to the condenser microphone, but phantom power does not enhance the microphone sound quality and improve the normal volume; Microphone, Pop Filter, Mic Stand and 3.5mm to XLR Female Microphone Cable in the picture Not Included

User questions & answers

Question:	Do i need a computer or some sort of pc? could i use this for a digital recorder that doesn't connect to a pc
Answer:	Yes that is correct. This unit supplies the power you need to run your condenser microphones into your mixer/P.A.
Question:	The blue light does not come on when I turn the power supply on. Am I gonna have to buy a new one
Answer:	I have no idea but I would go to the specifications page online to find out.
Question:	So this plugs into the wall and then the cord from my mic plugs into this? Do i need another cord that goes from this to my computer or amp or camera
Answer:	You have yo connect both autputs to the amplifier, each microphone output have to be connect to the amplifier
Question:	Please, let me know if the dc adapter is 100-240VC
Answer:	I don't understand your question exactly, but I bought this Neewer "power supply" to make my "Condenser" mircophones operate in conjunction with my sound system. If your Heil Fin microphone is a "Condenser" type this Neewer unit with work by supplying the "48 volts" of power it needs to operate with your P.A., thus making the lights go on your microphone. Check the model and make sure it's a condenser style microphone. Hope this helps.

Product features

A Single Channel Unit with Balanced Mic Input & Output

Supply sufficient power to your condenser microphone.

Simple on-off Switch and LED Indicator Light

Easy to use.

3-Pin XLR Male to XLR Female Cable

Reduce interference and excess noise.

Adapter with US Plug

Input: 110V, 50 Hz, 12WA.

Different Color Choice

--- Meet various needs to match your microphone color.

Different Color Choice

--- Meet various needs to match your microphone color.

Different Color Choice

--- Meet various needs to match your microphone color.

Different Color Choice

--- Meet various needs to match your microphone color.

Studio Recording

Home Broadcasting

Entertainment Party

Product description

sE Electronics DM1 Mic Preamplifier

The sE Electronics DM1 Dynamite is an active in-line preamp that offers +28dB of clean gain. It works with low-output and quiet sources like passive ribbon microphones, which lack sufficient gain. sE Electronics designed the DM1 with advanced FETs and transformerless to ensure you got ultra-low noise floor. NOTE: The DM1 requires phantom power. It does NOT work with condenser microphones, which require phantom power.



TECHNICAL SPECS:

Type: In-line Mic Preamp

Gain: +28dB (Load 1 kOhm) Frequency Range: 10Hz~120kHz (0.3dB) Max Output Level (0.5% THD) 8.3dBV (2.6V) Output Noise Level: 9-microvolt (JIS-A)

Power Requirements: 48V Phantom Power

Connectors: 3-Pin XLR-Male/Female

Dimensions: 0.75" Diameter, 3.76" Length

Weight: 0.17 lb

Accessories: Swivel Mic Clip, Thread Adapter, Internal Windscreen, Carrying Pouch



Also Comes With:



Blucoil 10-FT Balanced XLR Cable (2-Pack)

The 10-foot Blucoil cable interconnects your microphone to an audio interface, mixer, or preamp. It is made with premium Male-to-Female Neutrik-equivalent Zinc Alloy connectors that are protected with high-density PVC jacket. The 92% shielding protects your audio signal from EMI and RFI. The OFC wire ensures that the best possible conductivity is provided. The Blucoil Balanced XLR Cable also avoids unwanted lost signals or degeneration.



Get the DM1 Bundle today and receive additional 5-Pack of Blucoil Reusable Velcro Cable Ties!

• BOOSTS SIGNAL LEVEL OF LOW-OUTPUT MICS - The sE Electronics DM1 Dynamite provides 28dB of clean, transparent gain perfect for dynamic and passive ribbon microphones.
• PROVIDES CONSISTENT GAIN - The 28dB gain remains consistent regardless of the connected load because of the dedicated output buffer amplifier.
• ENSURES LOW NOISE - The state-of-the-art FETs and transformerless design of DM1 provides the lowest noise, giving you 100% uncolored tone.
• REJECTS ELECTRICAL INTERFERENCES - The rugged metal housing of DM1 Dynamite provides efficient rejection of noise and electrical interference. You can use the mic on stage or for studio recordings.
• INCLUDES - sE Electronics DM1 Dynamite In-line Mic Preamplifier. Blucoil 2-Pack of 10-Foot Balanced XLR Cables - Premium Series 3-Pin Cable for Microphones, Speakers and Pro Devices (Male-to-Female). Blucoil 5-Pack of Reusable Velcro Cable Ties.

User questions & answers

Question:	How would i use this for my pc? Do i an xlr cable withan aux on the end
Answer:	If you're planning to use the sE Electronics DM1 for computers, you'll need to connect it first to a USB audio interface (via XLR cable) that supplies +48V phantom power. The DM1 Preamp requires 48V phantom power, which a PC board cannot give. Here's a diagram of how your setup would look like: [t.ly/MYAJ]

Product description

You'll Hear the Family Resemblance Right Away

• Single-channel Mic/Instrument Preamp with 70dB of Gain
• Polarity Invert
• Phantom Power

User questions & answers

Question:	music vocals w lowest noisefloor on my sm7b as possible will this in tandem with a fethead phantom pre, into this, n2 6i6 will this work
Answer:	This unit works incredibly well with my sm7b
Question:	What are the dimensions of the product? That is, the read metal box itself
Answer:	It sits at 1.75in high, 10in deep (11in if you include the knobs sticking out on the end) and 4.25in wide.
Question:	Does it come with any cables
Answer:	Just the power cable
Question:	is the trs output jack - line level or instrument level
Answer:	Line level, use a TRS cable.

Product description

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.



With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

• 6 channel stand-alone mixer with onboard SPX digital effects (no USB); +48V phantom power
• Featuring studio grade discrete class A D PRE amps with inverted Darlington circuit providing fat, natural sounding bass and smooth, soaring highs
• 3 band EQ and high pass filters give you maximum control and eliminate unwanted noise, resulting in a cleaner mix
• 1 Knob compressors allow easy control resulting in livelier guitars, punchier bass lines, a tighter snare and a cleaner vocal sound
• MG Series mixers feature a rugged, impact resistant, powder coated metal chassis; LED level metering

User questions & answers

Question:	Can i connect mg06x-6 to tv
Answer:	here's one: http://www.guitarcenter.com/Hosa/Stereo-1-4-Inch-Male-TRS-to-Dual-Male-RCA-Insert-Cable.gc
Question:	Can i connect its out to irig pre (phone-audio interface) which ultimately connected to phones for recording over iphone/ipads
Answer:	This mixer with its quality mic preamps (real ones, with plenty of adjustable gain) , EQ, channel output volume, etc. is far superior to the iRig Pre. I tried the iRig Pre (and reviewed it) and didn't like it. To emulate the iRig Pre connections, get a TRRS (male) adapter you plug into your phone/tablet that breaks out separate speaker 1/8" TRS (female) and mic 1/8" TRS (female) connectors. You could use either the XLR or the 1/4" outputs of the mixer as input to the mic 1 /8" TRS connector on the adapter. Unlike the iRig Pre, with a mixer like this you have the option of listening to the realtime output of the mixer from its headphone jack or plug your headphones into the speaker 1/8" (female) connector on the adapter to hear it how the phone/ tablet is recording it (which can be time-delayed making it difficult to speak live while listening to non-realtime audio).
Question:	Are the 1/4 inch outputs TRS for balanced signal to another TRS input? I'm planning on using this as a simple mixer for input to a Bose L1 Compact
Answer:	The outputs are Stereo outputs, both L and R. (shown on the blue areas of image)
Question:	Can headphones and stereo out be be controlled independently? I want to listen to either headphones OR speakers, not both at once
Answer:	On the MG10XU there are two volumes controls. Stereo out and Monitor/Headphones out. I can't tell if this has both knobs or not. You can check the manual for the technical diagram.

Product features

Yamaha MG Series Mixers

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivaled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering a level of sound quality and reliability unrivaled in its class.

D-PRE (Discrete Class-A Mic Preamps)

This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance.

EQ and High-pass Filters

There's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filter allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.

1-Knob Compressors

Compression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively.

Built-in SPX Digital Effects (MG06X)

For musical and non-musical applications, effects processing adds polish and professionalism to the mix. The MG06X features Yamaha's SPX digital multi-effect processor, offering a comprehensive suite of editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live performance.

High Quality Sound Op-amp

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. We worked directly with the semiconductor manufacturer to focus on sound quality first.

Product description

Audio-Technica’s stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers.

Signal-to-Noise Ratio: 74 dB

• The price/performance standard in side address studio condenser microphone technology
• Ideal for project/home studio applications; The noise level is 20 dB SPL
• High SPL handling and wide dynamic range provide unmatched versatility
• Custom engineered low mass diaphragm provides extended frequency response and superior transient response
• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. Output connector: integral 3 pin XLRM type
• Black speckles on the mic is the end of the item. Audio technical case style: R7

User questions & answers

Question:	Hey, I have a behringer audio interface with this microphone - I get audio but the blue light isn't on (on the mic). Is this a problem or is it fine
Answer:	I think u meant can u use it as a regular mic without computer. The answer is not without a soundcard to plug it into I believe.
Question:	Is this one the xlr version of this mic? i want to use it on a mackie ony blackjack
Answer:	I don't know, but check other markets I've seen Blue products bellow 100 dollors used I hope this helps.
Question:	Are you able to use this as a usb mic / be able to put this into your macbook pro
Answer:	Yes
Question:	Does it come with a stand or an XLR cable
Answer:	Depends, what are you recording? Original yeti is large and a bit more versatile, you can record in 4 different audio direction, i.e omnidirectional, cardioid, bidirectional, and stereo making it ideal for recording YouTube videos, podcasts, large groups, or instrumentals. Yeti nano has 2 audio recording options , Omni and bidirectional, so made more for podcasts and YouTube videos. It’s also smaller. If you want to check out the nano I did a unboxing of the gold yeti nano, search on YouTube Julian Lonzoe yeti nano. It looks pretty awesome.

Product features

The Standard for Affordable Studio Condensers

The cost and performance standard in side-address studio condenser microphone technology, making it ideal for project/home-studio applications.

Unmatched Versatility

Due to high-SPL handling and wide dynamic range.

Custom-Engineered Low-Mass Diaphragm

Provides extended frequency response and superior transient response.

Sound Source Isolation

Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.

Pivoting, Threaded Stand Mount

Attaches securely for easy and precise placement of the microphone.

Accessories

Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch.

Product description

Twist the TubePre V2 Drive saturation control and add the “color” that only a hand-selected 12AX7 vacuum tube can deliver— from gentle warmth to total fuzz. Unlike other compact tube preamps, TubePre V2 starts with the low noise, high headroom Class A XMAX preamp input stage found in our premium interfaces and digital mixers. Discrete components and high-voltage operation deliver best-in-class dynamic range and detail not found in other single-channel tube preamps.

• 12AX7 tube-based preamp with XMAX solid-state input stage
• Gain control and Tube Drive saturation control
• Low-noise dual-servo (no capacitors) gain stage
• Separate instrument and mic inputs
• Phantom power, HP filter, -20 dB pad, and polarity-reverse
• Compact 1/3U rack-mount chassis

User questions & answers

Question:	Can i connect this to a audio interface via xlr
Answer:	No
Question:	Can i use this as a preamp for my presonus audiobox usb
Answer:	Yes, it should work fine. Your mic or instrument goes direct into the pre-amp and then just run a short cable from the output of the pre-amp into the channel input of the audio box you want to use. I got one of these recently and am pretty happy with the sound and ease of use. I did take others advice though and swap out the tube for a higher quality one which is pretty easy to do.
Question:	How to do I connect this to a Audio Interface
Answer:	This is a microphone preamp, not an audio interface. You would run your microphone to an input on this Presonus, and then there is either an XLR or 1/4 output that you would plug into another USB-type audio interface to go into a computer.
Question:	Can you run a line and XLR input through this at the same time and have each go to their respective outputs (separate)? Sort like a 2 channel pre
Answer:	I do not know if this is possible as it is a one channel pre. I would imagine the input /output is either/or. Can't say for certain without trying but I only have one mic.

Product features

From gentle warmth to total fuzz with the twist of a knob.

XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound garnering them rave reviews from users and the media alike. The 12AX7 vacuum tube that follows the XMAX in the TubePre V2 was hand-selected and carefully tested for electrical conformity and freedom from microphonics. Twist the Drive saturation control to add the “color” that only a hand-selected 12AX7 can deliver — from gentle warmth to total fuzz.

A versatile tool that’s built to travel.

Housed in a rugged case that is built to travel, the TubePre V2 rear panel sports separate unbalanced, ¼” instrument and balanced, XLR mic inputs and unbalanced ¼” and balanced XLR line outputs. Use it as a straight-up tube preamp or a dynamite direct box (DI) for guitars and basses. We’ve provided all of the extras you need, including a highpass filter, phantom power, polarity reverse, and a backlit VU meter. Yet with all its features, it’s small enough to carry almost anywhere—or simply screw-mount it to a standard rack tray.

Great sound, live or in the studio.

Live or in the studio, the TubePre V2 is a great-sounding tool you’ll use on a variety of sources. Add just the right amount of tube distortion to guitars, basses, and mic signals. Go lightly for gentle warmth or go all-out for solid crunch—it’s up to you. So give your ears a treat and test the TubePreV2 at your favorite PreSonus dealer. Then check out the price— and prepare to be amazed. Because with PreSonus, big sound does not have to cost big money.

Product description

rolls Mini Single Ch Mic Preamp (MP13)

• mini
• single channel
• ch mic preamp
• Country of Origin: China

User questions & answers

Question:	Why does my mic clip as soon as I plug the mp13 into PC mic in
Answer:	It sounds like your level into the microphone input on your PC is too high. You would not normally need a preamp to feed a microphone input. The levels out of the preamp would be too high. The preamp would typically be used to feed a line input. If you need to raise the level into a microphone input you would not want very much gain.
Question:	will this work with windows 7 PC
Answer:	yes
Question:	What size dc adapter does this unit use
Answer:	comes with its own ac adapter, -15 volts.
Question:	can this be used with a dynamic microphone.?I do not want any dc voltage on the line
Answer:	Yes. Dynamic mic's are fine. It's what we use for our diver comm system in a research aquarium. I feed the divers mic's to a multi-input mixer from these Rolls preamps.