14 best mic preamps

Product description

ART TubeMPSTV3 Variable Valve Voicing Tube Mic Preamp With Limiter

• Dimensions: 5.0"D x 5.5"W x 2.0"H
• Weight: 1.5 lbs
• Rugged all-steel construction
• Designed for years of continuous, reliable performance
• 1 year warranty

User questions & answers

Question:	I want to use this with a ribbon mic sans phantom. Aim is natural sound of my acoustic instrument. How transparent is the neutral setting
Answer:	A ribbon mic not only does not need phantom power. accidentally switching phantom on may destroy the mic. I like ribbons also. The ART is a great bargain and sounds good generally, but it is not a professional unit, and you get what you pay for. I bought mine because I wanted a "tube flavor" on some tracks. It does not excel at this. But it is a useful unit in other ways, so I kept mine. It is pretty neutral for a tube device, maybe a tad noisier because of the valves.
Question:	I'm looking for a way to boost the sound volume and quality coming from a blue spark mic for voice-over work. is this what i need
Answer:	I'm assuming you have the regular Spark, not the digital (USB) version. I have not used the ART for that application, but I find the unit to be a versatile free-standing single channel pre-amp. It's controls allow setting of gain and output, and it will supply phantom power to the mic. Very good bang for the buck, and highly portable.
Question:	Does this device provide a both left and right output for headphones (mono, but to both sides of the head phone)? thanks
Answer:	There is no headphone output on this unit. This is a preamp. It is used before the input on a mixer channel.
Question:	Can this preamp be used safely with a passive ribbon microphone
Answer:	It should work fine as long as you leave the 48V Phantom off. If you forget, and send phantom power to your ribbon it will never work again. My Tascam Port-a-Studio always defaults to "phantom off" when powered down (or up) and requires 2 keystrokes to turn it on "are you SURE?" This precaution prevents sending phantom to any input other than a condenser mic, which only works with 48V DC.

Product description

1-Channel +25dB in-line microphone preamplifier.

• Uses Phantom power to give passive mics (mainly used for dynamic and ribbon mics) up to +25dB without passing Phantom power on to mic
• Easy to use self contained design requires only Phantom power to work. **Does not use Phantom power to power mics
• Recommended for use with all passive dynamic microphones
• Compatible with tube, battery, or power supply driven microphones – safe for all passive ribbons with no transfer of Phantom
• Does not power the mics themselves using Phantom power (that is not what this is designed for). instead, place the cloudlifter at the front of your dynamic mic, then hit it with Phantom Power and your basic mic (even an SM58 style mic) will shine like never before

User questions & answers

Question:	Has anyone used this with a heil pr-40 microphone
Answer:	Hi Jeremy...Have not used my cloudlifter with the Heil pr-40.... but since it is a dynamic mic the cloudlifter might just be what the doctor ordered. As you probably know... the unit is great for a 20-25 db boost for mics that would be noisy when you crank the gain/trim pot on a preamp or mixer. I had that experience with an RE-20... noisy as can be when cranking the mixer gain... but clean as a whistle when hooked to the Cloudlifter. Just so you know my signal chain is Neumann TLM 102 mic into an Aphex 230 pre... through a small mackie mixer... into a Presonus firebox interface and finally a PC running Adobe Audition CS6. I have the gain on the pre set at about 2 o'clock and the output level turned all the way down. That means my initial record level is about -16 db and then I just boost it about 5 bd... do my eq and compression processing... then normalize to -3 db. This gives me a pristine noise floor. Hope this helps in spite of the fact I have not have the direct pr-40 through cloudlifter experience.Regards
Question:	Is this better used for condensor or dynamic microphones
Answer:	The CL-1 is useful only for dynamic and ribbon microphones, and will not work at all with condensers. The reason for this is that the 48v phantom power supplied from a USB interface, or a mixer, is used by the CL-1 to generate ~25dB of very clean gain. However, this means that the power doesn't get distributed further down the line. If your mic requires phantom power, the CL-1 is useless. However, if you're using a dynamic, the CL-1 is WONDERFUL, it helps generate very clean gain from almost any source. Definitely recommended for dynamics and ribbon microphones.
Question:	Will this do anything for me if my preamps are already pretty great? I'm using an SM7b
Answer:	The answer hinges on your definition of "pretty great". What you need from a preamp when you're using an SM7b is plenty of quiet gain. There are many really great preamps that don't have that. This mic needs so much boost that you're going to bring out the noise in just about every pre. The SM7b is a great mic, but I would simply not record it without a Cloud Lifter regardless of the quality of the pre.
Question:	Do i need 2 xlr cables for this to work? or will just one cable do
Answer:	Yes, you will need two XLR cables. The CloudLifter CL-1 is intended to be used with both a microphone and a mixer, or a mic and n XLR/USB interface. The CL-1 takes the 48v phantom power from a mixer or interface and turns it into around 25dB of very clean gain. It's intended for use with ribbon microphones, like the Fathead, or dynamics, like the SM58; if you are using a condenser microphone, like the NT1-A, then the CL-1 won't work, since it DOES NOT transfer 48v phantom power to the microphone. In my setup, I've used an SM58, going into the CloudLifter, then going into the FocusRite Scarlett 2i2 XLR/USB interface. (You may want to use the Scarlett Solo, if you only intend to use one mic. It's got the same preamp, but is slightly cheaper.) The end result is very clear, loud, and not at all noisy. I hope this helps you out!

Product description

The FetHead from TritonAudio is a low-noise, in-line microphone preamplifier that provides improved sound for ribbon and dynamic microphones. The electronics are housed in a metal chassis with a balanced 3-pin female XLR input and a balanced 3-pin male XLR output. It is suitable for use at home, in the studio, on tour, and more. FetHead's circuit uses phantom power but shields it from the input and the microphone's output, providing protection to the microphone. Attach FetHead to a balanced microphone cable and plug it straight into the microphone. Switch on phantom power and enjoy clean gain. This works with any microphone.

User questions & answers

Question:	I have a shure sm57 that tends to be quiet when recording through my usb interface. Will this give a stronger signal
Answer:	Yes, it typically sees an increase of 26Db of boost in Gain. Be sure to drastically drop the input of your interface to where it’s only around 25% - 30% volume. No joke, your mic will be coming in hot. Also make sure your interface has phantom power. Cheers!
Question:	Which end of the preamp goes to the microphone and which end to the cable
Answer:	On all images i saw at online stores, i see that the top end goes to the microphone, & the bottom go to the cable.
Question:	The k6 option is expensive can I used this for the sennheiser instead
Answer:	Currently using it with sennheiser e935 here. It works really great!
Question:	Why does it say it’s for condenser microphones in the description but shows dynamic mics in the pictures
Answer:	The Fethead Phantom is for condenser microphones because it supplies phantom power to condenser mics that need it. The other version of this product, just a plain Fethead, does not supply 48 V. That is the version you would use for dynamic or ribbon mics. Though it may be possible for some microphones to use either one, I would not recommend it. Use the version of the Fethead that is intended for your particular type of microphone, condenser or dynamic. I have both, and I recommend both of them for the appropriate type of microphone. They do a really good job of adding gain with very little to no noise.

Product description

The simplest model in the range, the third-generation Scarlett Solo provides singer-songwriters with a reassuringly easy recording process. Equipped with high performance 24-bit/192kHz AD-DA converters, Scarlett S the same professional sound quality throughout the third-generation range. Its features include a single upgraded third-generation Scarlett mic preamp: with a switchable air setting to reproduce the air effect of Focusrite's original ISA mic preamp, giving your vocal recordings a brighter and more Open sound. The high impedance, high-headroom instrument input allows you to record guitar or bass without any clipping or unwanted distortion, while gain Halo metering makes it easy for you to set the input level. And Scarlett Solo's balanced outputs are hum-free when connecting studio monitors with balanced inputs, so you’ll always have pristine audio playback. Scarlett Solo is designed to stand up to days on the road and connects straight to your Mac or PC via USB cable, with no external power required. It comes with all the software tools you need to get started, including two comprehensive digital audio workstations: Ableton Live Lite and pro Tools first Focusrite creative pack. Intuitive enough for beginners yet advanced enough to inspire real creativity with great-sounding effects. Focusrite has partnered with Splice to give 3rd Gen. Interface owners a free month Splice sounds subscription when setting a new Splice account. Splice sounds offers millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily from your favorite producers, sound designers, and artists. Creators use Splice to make all kinds of music, including chart-topping pop, Grammy-winning albums, underground mixtapes, and cinematic scores. As with all Focusrite products, you’ll also benefit from a two-year, award-winning customer support, and membership of their plug-in Collective offering free software downloads and generous discounts. Interested in what headphones are compatible with Scarlett? Search 'Headphones' on the Focusrite help centre for more information.

• One of the best performing mic preamps the Scarlett range has ever seen, now with switchable air Mode to give your recordings a brighter and more open sound. One high-headroom instrument input to plug in your guitar or bass. Two hum-free balanced outputs provide clean audio playback.
• High-performance converters enable you to record and mix at up to 24-bit/ 192kHz.
• Quick start tool to get up and running easier than ever.
• Includes Pro Tools | First Focusrite Creative Pack, Ableton Live Lite, Softube Time and Tone Bundle, Focusrite’s Red Plug-in Suite, 3-month Splice subscription, and your choice of one free XLN Addictive Keys virtual instrument, all available via download upon purchase and registration
• LIMITED TIME OFFER: FREE Klevgrand DAW Cassette upon registration and download.

User questions & answers

Question:	Is the headphone jack on this for monitoring your inputs, or does your PC audio come through it aswell
Answer:	Hi, You can monitor your inputs and listen to playback from your computer simultaneously, which allows you to create overdubs with next to zero latency. You can either choose to monitor the inputs using the Direct Monitor switch, or you can use the Input Monitor feature in your DAW. If using the Direct Monitor feature the input signal will be passed directly to the line and headphone outputs, whereas if you use the Input Monitor feature in your DAW, you will be hearing the audio you're recording back from your DAW. In either case, you can still hear any other audio playing back from your DAW at the same time as recording. Best regards, Laurence Clarke // Focusrite Technical Support
Question:	What type of usb cable does this come with? is it a type-c to type-c or a type-c to type-a
Answer:	Hi, This comes with a type-c to type-a cable. If you have type-c ports, you will need to purchase a type-c to type-c USB cable separately. Best regards, Laurence Clarke // Focusrite Technical Support
Question:	Does the XLR input only record audio to the left side
Answer:	Hi, When recording a single microphone, you should ensure that you create a mono audio track in your DAW instead of a stereo audio track. When you record onto a mono audio track, the output from that track will be heard on both sides of your headphones or speakers (ensuring the output is set to stereo), however, if you record onto a stereo track, the audio will just be recorded onto the left side of a stereo file and you will ony hear it on the left of your headphones/speakers. This is explained in more detail here: https://support.focusrite.com/hc/en-gb/articles/206849779?flash_digest=62885ef974b4eb116f3b3ea2c9b9c38ddb871473 Best regards, Laurence Clarke // Focusrite Technical Support
Question:	can this power 250 ohm headphones
Answer:	I have a 650 , 300 ohm and it's enough to play it at okay volume but not enough to power it completed I'm looking at an Amp to pair this with

Product features

The perfect audio interface for a singer-songwriter

You’ve found the simplest USB audio interface we make. If you want to start creating studio quality recordings with your guitar, the 3rd Generation Scarlett Solo provides an easy way in.

Product description

Note: Phantom power provides a 48V voltage to the condenser microphone, but phantom power does not enhance the microphone sound quality and improve the normal volume; Microphone, Pop Filter, Mic Stand and 3.5mm to XLR Female Microphone Cable in the picture Not Included

Description:

Neewer 48V Phantom Power Supply delivers reliable 48V phantom power for condenser microphones in a compact, durable, plastic housing.

Enjoy ultra low-noise audio performance and full-frequency response.

High-quality components and rugged construction will ensure this power supply with stand up to the test and perform on all occasions.

Comes with one XLR audio cable with high quality XLR male and female connectors.

On/off power switch and LED indicator.

Specifications:

Input Voltage: 110V

Material: Plastic Housing

Power Supply Size: 3.9" x 3.5" x 1.6" / 10 x 8.8 x 4.1cm

Package Contents:

1 * 48V Phantom Power

1 * Adapter

1 * XLR Audio Cable

• Input Voltage: 110V
• Delivers reliable 48V phantom power for condenser microphones and transfer sound signal to sound card in a compact, durable, plastic housing.
• Universal XLR input and output, compatible with all kinds of microphone music recording equipment.Comes with one XLR audio cable with high quality XLR male and female connectors.
• Features a single channel unit with balanced mic inputs and outputs to connect in-line with your mic and mixer.
• On/off power switch and LED indicator for ease of operation. One Adapter is included. Simple to use and ideal for stage and studio use.
• Note: Phantom power provides a 48V voltage to the condenser microphone, but phantom power does not enhance the microphone sound quality and improve the normal volume; Microphone, Pop Filter, Mic Stand and 3.5mm to XLR Female Microphone Cable in the picture Not Included

User questions & answers

Question:	Do i need a computer or some sort of pc? could i use this for a digital recorder that doesn't connect to a pc
Answer:	Yes that is correct. This unit supplies the power you need to run your condenser microphones into your mixer/P.A.
Question:	The blue light does not come on when I turn the power supply on. Am I gonna have to buy a new one
Answer:	I have no idea but I would go to the specifications page online to find out.
Question:	So this plugs into the wall and then the cord from my mic plugs into this? Do i need another cord that goes from this to my computer or amp or camera
Answer:	You have yo connect both autputs to the amplifier, each microphone output have to be connect to the amplifier
Question:	Please, let me know if the dc adapter is 100-240VC
Answer:	I don't understand your question exactly, but I bought this Neewer "power supply" to make my "Condenser" mircophones operate in conjunction with my sound system. If your Heil Fin microphone is a "Condenser" type this Neewer unit with work by supplying the "48 volts" of power it needs to operate with your P.A., thus making the lights go on your microphone. Check the model and make sure it's a condenser style microphone. Hope this helps.

Product features

A Single Channel Unit with Balanced Mic Input & Output

Supply sufficient power to your condenser microphone.

Simple on-off Switch and LED Indicator Light

Easy to use.

3-Pin XLR Male to XLR Female Cable

Reduce interference and excess noise.

Adapter with US Plug

Input: 110V, 50 Hz, 12WA.

Different Color Choice

--- Meet various needs to match your microphone color.

Different Color Choice

--- Meet various needs to match your microphone color.

Different Color Choice

--- Meet various needs to match your microphone color.

Different Color Choice

--- Meet various needs to match your microphone color.

Studio Recording

Home Broadcasting

Entertainment Party

Product description

Compact dynamic microphone booster with high-quality preamp.

• Dynamic mic booster adds extra gain to your sound
• High-quality preamp provides up to +25 dB of gain
• Phantom powered with no need for external power supply
• Works with almost any dynamic or passive ribbon microphone
• Rugged, road-worthy construction for years of dependable use

User questions & answers

Question:	Is this safe to use on a dynamic microphone that does not use phantom power? Does this pass-thru phantom power to the microphone
Answer:	This requires phantom power to work but It does not pass phantom through. Best used with condensers that take batteries. Like the NTG2 or sennheiser mke 600

Product features

MIC BOOSTER CT 1

• Dynamic mic booster adds extra gain to your sound
• High-quality preamp provides up to +25 dB of gain
• Phantom powered with no need for external power supply

MIC BOOSTER CT 1

Whenever you need more headroom for any microphone in your podcast setup, recording studio or live rig, the MIC BOOSTER CT 1 is exactly the tool you need to get a crisp and clean microphone signal in a robust, compact and simple to use package.

Dynamic and Powerful

The CT 1 can work with almost any dynamic or passive ribbon microphone. Its high-quality preamp adds an incredible +25dB of gain to your mic pre’s which increases the headroom and allows you to dial in the perfect mic level at a much lower gain setting at the mixer thus leading to a cleaner sound.

Compact and Simple

The simplicity and size of the CT 1 means you can easily connect it to the end of any microphone in your setup and amplify the signal right out of the mic. This minimizes the risk of any potential noise being picked up by long cable runs in between the mic and preamp. It also runs on phantom power and needs no external power source. Just plug and play!

Rugged and Road-Worthy

The MIC BOOSTER CT 1 is designed and engineered in the U.K. and is made to withstand the rigors of the road for years of dependable use.

Product description

rolls Mini Single Ch Mic Preamp (MP13)

• mini
• single channel
• ch mic preamp
• Country of Origin: China

User questions & answers

Question:	Why does my mic clip as soon as I plug the mp13 into PC mic in
Answer:	It sounds like your level into the microphone input on your PC is too high. You would not normally need a preamp to feed a microphone input. The levels out of the preamp would be too high. The preamp would typically be used to feed a line input. If you need to raise the level into a microphone input you would not want very much gain.
Question:	will this work with windows 7 PC
Answer:	yes
Question:	What size dc adapter does this unit use
Answer:	comes with its own ac adapter, -15 volts.
Question:	can this be used with a dynamic microphone.?I do not want any dc voltage on the line
Answer:	Yes. Dynamic mic's are fine. It's what we use for our diver comm system in a research aquarium. I feed the divers mic's to a multi-input mixer from these Rolls preamps.

Product description

The dbx 286s is a full featured channel strip processor that delivers a studio quality microphone/instrument preamplifier and four processors that can be used independently or in any combination. Why mic up vocals and instruments through a noisy, blurry mixer? The sonically pristine dbx 286s mic preamp has all the features you need, including wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind. Use the patented dbx over Easy compressor to transparently smooth out uneven acoustic tracks or deliver that classic "in your face" Vocal performance that only a dbx compressor can. Eliminate vocal sibilance and high frequency distortion from instruments such as cymbals with the frequency Tenable De-Esser. Fine-tune the Enhancer HF detail control to add sparkle and Crispness to your tracks and make adjustments to the lf detail control to add fullness and depth to vocals and bass instruments while cleaning up the muddy low midrange frequencies. The separate threshold and ratio controls on the expander/gate allow you to subtly reduce headphone leakage or radically gate noisy guitar amps. And, the dbx 286s offers a full compliment of metering and status LEDs to visually guide you to achieving the right sound.

From the Manufacturer

The cost and hassle of patching together multiple processors for use on one track can be frustrating. The dbx 286s provides you with all the mic processing you need in one box, with the shortest, cleanest signal path to keep your music sounding its best! The floating balanced XLR mic input Accepts balanced or unbalanced inputs to easily connect to professional and home studio microphones. The additional 1/4" TRS line input can accept balanced/unbalanced signals to process live electronic instruments or pre-recorded tracks at mix down. Use the insert jack to interface between the mic preamp and the signal processing sections to "Loop out" to external processors (such as EQ or delay unit) or to mix the mic preamp's signal out to an external destination.

• Studio quality mic preamp/channel strip processor
• Classic dbx compression puts great sound within easy reach
• Frequency tuneable de-esser reduces sibilance and high frequency distortion
• Enhancer increases the detail and definition of the high and low frequencies
• Program adaptive expander/Gate. Frequency response: 20Hz to 20kHz
• Input: 1/4" TRS (x2) and XLR (x1); output: 1/4" TRS (x1)
• Operating voltage: 120VAC 60Hz, 100VAC 50/60Hz
• Purchase includes: dbx286s, power cord, operation manual, and rack mount screws and washers (x4)

User questions & answers

Question:	Could i use this with vinyl turntables
Answer:	33.3 RPM records require RIAA equalization and most phono cartridges require very low noise high sensitivity input gain stages, which the DBX 286 does not have and which makes this unit unsuitable as a turntable preamp. However, if your records are vocal speech only and you can provide the 286 with an adjustable line level input signal, you might be able to use the unit as a speech processor for your turntable. If you are unsure of what I am talking about, then the answer to your question is "no".
Question:	If i set it up with an interface would i set it up like this? mic > pre amp > interface > monitors/headphones please explain proper setup
Answer:	John, you would plug MIC > DBX 286s > LINE INPUT of your interface. Receive the line input signal in your DAW and adjust your settings as necessary on the CH strip. Your monitors would plug in to your interface as normal. If you have further questions , please let us know!
Question:	My plan is to use a Microphone - into XLR - then into Channel 1 on my Focusrite 18i20. How does someone use this as an 'INSERT"? What is an INSERT
Answer:	I'd imagine more or less you'll be doing this the same way I have mine set up. You run your XLR into the back input of the DBX 286s, then use a 1/4" audio out into your first channel preamp on your Focusrite interface. Currently Focusrite cannot get a signal with WDM (only ASIO gets a signal) if you try using the 1/4" audio out into the rear inputs. Only the front ones work until they address it with a patch.
Question:	Will this prevent clipping? My music has a lot of soft parts and parts where I'm shouting. Thanks
Answer:	The only thing I use to prevent mic clip is mic staging and proper leveling in side what ever DAW your using. In other words sing lower parts louder by moving to the mic and loud parts lower by moving away from the mic. So the DBX is pretty good for the price but without proper mic staging could add to your problem.

Product features

dbx 286s

The dbx 286s is a full-featured Channel Strip Processor that delivers a studio-quality microphone/instrument preamplifier and four processors that can be used independently or in any combination. The sonically pristine dbx 286s Mic Preamp has all the features you need, including wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind. Use the patented dbx OverEasy compressor to transparently smooth out uneven acoustic tracks or deliver that classic “in your face” vocal performance that only a dbx compressor can. Fine-tune the Enhancer HF Detail control to add sparkle and crispness to your tracks and make adjustments to the LF Detail control to add fullness and depth to vocals and bass instruments while cleaning up the muddy low mid-range frequencies. Plus, the separate threshold and ratio controls on the Expander/Gate allow you to subtly reduce headphone leakage or radically gate noisy guitar amps.

Product description

Audio-Technica’s stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers.

Signal-to-Noise Ratio: 74 dB

• The price/performance standard in side address studio condenser microphone technology
• Ideal for project/home studio applications; The noise level is 20 dB SPL
• High SPL handling and wide dynamic range provide unmatched versatility
• Custom engineered low mass diaphragm provides extended frequency response and superior transient response
• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. Output connector: integral 3 pin XLRM type
• Black speckles on the mic is the end of the item. Audio technical case style: R7

User questions & answers

Question:	Hey, I have a behringer audio interface with this microphone - I get audio but the blue light isn't on (on the mic). Is this a problem or is it fine
Answer:	I think u meant can u use it as a regular mic without computer. The answer is not without a soundcard to plug it into I believe.
Question:	Is this one the xlr version of this mic? i want to use it on a mackie ony blackjack
Answer:	I don't know, but check other markets I've seen Blue products bellow 100 dollors used I hope this helps.
Question:	Are you able to use this as a usb mic / be able to put this into your macbook pro
Answer:	Yes
Question:	Does it come with a stand or an XLR cable
Answer:	Depends, what are you recording? Original yeti is large and a bit more versatile, you can record in 4 different audio direction, i.e omnidirectional, cardioid, bidirectional, and stereo making it ideal for recording YouTube videos, podcasts, large groups, or instrumentals. Yeti nano has 2 audio recording options , Omni and bidirectional, so made more for podcasts and YouTube videos. It’s also smaller. If you want to check out the nano I did a unboxing of the gold yeti nano, search on YouTube Julian Lonzoe yeti nano. It looks pretty awesome.

Product features

The Standard for Affordable Studio Condensers

The cost and performance standard in side-address studio condenser microphone technology, making it ideal for project/home-studio applications.

Unmatched Versatility

Due to high-SPL handling and wide dynamic range.

Custom-Engineered Low-Mass Diaphragm

Provides extended frequency response and superior transient response.

Sound Source Isolation

Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.

Pivoting, Threaded Stand Mount

Attaches securely for easy and precise placement of the microphone.

Accessories

Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch.

Product description

WA12 MkII Microphone Preamp. "A lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume. The aoeSuper cleana designs of today often leave the signal exiting the preamp sounding much the same as it did entering it. If you are looking for a preamp to improve and shape your signal you will most definitely love the WA12 MKII. The WA12 MKII is designed to transform plain instruments and vocals into exciting tone. If your mixes lack depth, struggle to sound alive, or are just missing that professional touch youaTMve always wanted, there is a good chance you will love the WA12 MKII. Packed With Performance The WA12 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier designed for high gain (+71dB), high headroom, low noise, and an exciting sonic performance a" great for all types of recording applications. A high quality mic preamp is one of the most critical pieces needed to achieve the elusive a larger than lifeaTM sound, and the WA12 MKII is more than capable of delivering. ? The WA12 MKII is based around a discrete op-amp, the X731, which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels. The effects can be subtle, but very pleasing to the ear. The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +/-16v, 2520 pinout standard."

• "Utilizes premium grade input and output USA CineMag transformers 71db of Gain, fully discrete signal path Utilizes a discrete 6-pin socketed 1731 style opamp TONE button - Switches the input impedance from 600 ohms to 150 ohms Mic level balanced input: XLR"
• "A lot of preamps on the market do a good job of raising the volume of mics and instruments
• Unfortunately, many pres are doing only that, raising volume
• The aoeSuper cleana designs of today often leave the signal exiting the preamp sounding much the same as it did entering it
• If you are looking for a preamp to improve and shape your signal you will most definitely love the WA12 MKII

Product description

GearNuts has a toolbox essential for all recording and front-of-house engineers. If you've shied away from using low-output mics you love the sound of because you don't have access to a high-gain preamp, well, those days are over! The sE Electronics DM1 Dynamite is an active in-line preamp that boosts the signal of your passive ribbon and dynamic mics by a robust 28dB. Inserted between a passive ribbon or dynamic microphone and a mic preamplifier, the DM1 will also reduce the possibility of interference, while providing a healthy level to your preamp — without any added noise or coloration. Get optimum performance from the mics you love with the sE Electronics DM1 Dynamite!

• Active In-line Preamp for Passive Dynamic
• Ribbon Mics with 28dB of Gain

User questions & answers

Question:	would this work with the shure sm7b? and do you need a cloudlifter as well
Answer:	should work...needs phantom power....I have no experience with that mic but other reviews mentioned it works with that mic....used with SM57 and Sennheiser 609 where you need some signal boost
Question:	Does it need phantom power? will it work with sennheiser mke
Answer:	The sE Electronics DM1 Dynamite 1 requires 48V phantom power provided by a preamp/mixer/audio interface. It only works with ribbon/dynamic passive microphones and incompatible with phantom-powered microphones such as condenser and active ribbon microphones.
Question:	Can it work for sennheiser ew100 G4 wireless mic
Answer:	No. It works with wired mics only.
Question:	can you hide this or does it have to be plugged straight into the mic? for example I have the shure sm7b and was wondering if it would be seen from it
Answer:	You can connect the sE Electronics DM1 Dynamite anywhere in the chain. You can plug it like Shure sm7b → XLR cable → sE DM1 → XLR cable → audio interface. Please make sure that you connect DM1's XLR cable into a phantom powered microphone input. Otherwise, it might not work or cause damage.

Product description

Twist the TubePre V2 Drive saturation control and add the “color” that only a hand-selected 12AX7 vacuum tube can deliver— from gentle warmth to total fuzz. Unlike other compact tube preamps, TubePre V2 starts with the low noise, high headroom Class A XMAX preamp input stage found in our premium interfaces and digital mixers. Discrete components and high-voltage operation deliver best-in-class dynamic range and detail not found in other single-channel tube preamps.

• 12AX7 tube-based preamp with XMAX solid-state input stage
• Gain control and Tube Drive saturation control
• Low-noise dual-servo (no capacitors) gain stage
• Separate instrument and mic inputs
• Phantom power, HP filter, -20 dB pad, and polarity-reverse
• Compact 1/3U rack-mount chassis

User questions & answers

Question:	Can i connect this to a audio interface via xlr
Answer:	No
Question:	Can i use this as a preamp for my presonus audiobox usb
Answer:	Yes, it should work fine. Your mic or instrument goes direct into the pre-amp and then just run a short cable from the output of the pre-amp into the channel input of the audio box you want to use. I got one of these recently and am pretty happy with the sound and ease of use. I did take others advice though and swap out the tube for a higher quality one which is pretty easy to do.
Question:	How to do I connect this to a Audio Interface
Answer:	This is a microphone preamp, not an audio interface. You would run your microphone to an input on this Presonus, and then there is either an XLR or 1/4 output that you would plug into another USB-type audio interface to go into a computer.
Question:	Can you run a line and XLR input through this at the same time and have each go to their respective outputs (separate)? Sort like a 2 channel pre
Answer:	I do not know if this is possible as it is a one channel pre. I would imagine the input /output is either/or. Can't say for certain without trying but I only have one mic.

Product features

From gentle warmth to total fuzz with the twist of a knob.

XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound garnering them rave reviews from users and the media alike. The 12AX7 vacuum tube that follows the XMAX in the TubePre V2 was hand-selected and carefully tested for electrical conformity and freedom from microphonics. Twist the Drive saturation control to add the “color” that only a hand-selected 12AX7 can deliver — from gentle warmth to total fuzz.

A versatile tool that’s built to travel.

Housed in a rugged case that is built to travel, the TubePre V2 rear panel sports separate unbalanced, ¼” instrument and balanced, XLR mic inputs and unbalanced ¼” and balanced XLR line outputs. Use it as a straight-up tube preamp or a dynamite direct box (DI) for guitars and basses. We’ve provided all of the extras you need, including a highpass filter, phantom power, polarity reverse, and a backlit VU meter. Yet with all its features, it’s small enough to carry almost anywhere—or simply screw-mount it to a standard rack tray.

Great sound, live or in the studio.

Live or in the studio, the TubePre V2 is a great-sounding tool you’ll use on a variety of sources. Add just the right amount of tube distortion to guitars, basses, and mic signals. Go lightly for gentle warmth or go all-out for solid crunch—it’s up to you. So give your ears a treat and test the TubePreV2 at your favorite PreSonus dealer. Then check out the price— and prepare to be amazed. Because with PreSonus, big sound does not have to cost big money.

Product description

BEHRINGER 5 IN MIXING BOARD W EQ. Mains voltage - 120 V~, 60 Hz

• Premium ultra-low noise, high headroom analog mixer
• State-of-the-art, phantom powered XENYX Mic Preamp comparable to stand-alone boutique preamps
• Neo-classic "British" 2-band EQ for warm and musical sound
• Main mix, stereo CD/tape plus separate headphone outputs
• CD/tape inputs assignable to headphone output or main mix outputs. Power consumption 13 W

User questions & answers

Question:	I didn't really understand the inputs on this mixer. So I have 3 electric guitars, and an electronic drum kit. Can all of these,with mic,be connected
Answer:	This mixer does not have sufficient mono channels for your application. Channels 2-3 and 4-5 are stereo inputs (meaning they are contolled with the same fader). Some of the larger Xenyx mixers will get you the inputs you need.... something with at least 5 distinct faders to control each instrument's mix individually.Hope this helps. :-)
Question:	Does this mixer support 48V Phantom Power
Answer:	Most microphones do not require 48 volts of phantom power. Many condenser microphones only require somewhere between 4 and 12 volts. You should check your mic. It looks like this is a 15 volt feed.
Question:	Can this mixer connect to a PC via a soundcard
Answer:	Yes, to an analog soundcard. All you need is a 1/8" stereo to dual-RCA cord. Mixer has both input and output RCA capability, so you could feed the output of the mixer to the line/mic of the soundcard or feed the output of the soundcard (line out/speaker out) to the input of the mixer. There is also a headphone jack on the mixer so that could also be patched back to the soundcard's line in/mic. For me, I am usually running the PC speaker out to the mixer RCA input -- the volume is controlled by the Main, and then I can either use headphones from the mixer or run the 1/4" output into my guitar amp. Hope this helps.
Question:	What does the 2 track input do
Answer:	The 2 track input allows you to connect an external music source to the xenxyx mixer and then into an amplifier with speakers or headphones using the outputs located near the top. The external music source can be anything that has the red and white RCA outputs such as a cassette/CD player or VCR/disc player (the red and white input/output for the 2 track are called RCA connectors). This is so you can plug in your CD player and also a microphone and an instrument that has a 1/4" output such as a guitar or electric piano and have it all mixed together. Just below the 2 track input are a couple of buttons that allow you to choose whichever output you want, either headphones or amplified speakers (main out). The 2 track outputs on the mixer will allow you to send the vocals and/or instrument mix to a recording device that has the red and white RCA inputs. I hope this helps.

Product features

Xenyx 502

Got a solo gig at the local coffee shop? Need to make a quick public announcement? Simple sound calls for the simply superb Xenyx 502, the mixer with everything you need to give an intimate setting incredible sound. The ultra-compact Xenyx 502 mixer’s 5 Inputs (1 mic, 2 stereo) allow you to effortlessly achieve premium-quality sound, thanks to the studio-grade, phantom-powered Xenyx Mic Preamp and ultra-musical 'British' channel EQ.

Sublimely Musical British EQ

The British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our Neo-classic 'British' 2-band EQ for warm and musical soundmixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

The Ins and Outs

The 5-input, 2-bus Xenyx 502 with xenyx mic preamp can accommodate either a dynamic or condenser microphone. The 2-band British EQ is famous for its warm, musical sound. Play music between sets via the RCA CD/Tape Inputs (main mix or control room/phones assignable) and record your performance to an outboard recording device via the RCA outputs.

Small is Beautiful

Weighing in at a mere 1.2 pounds (0.55 kg), the xenyx 502 is the portable, practical way to turn a speech or scaled-down performance into a sound to behold. Schools, meeting rooms, restaurants and songsmiths the world over agree this mighty mite is a high-fidelity lifesaver.

Amazing Value

No matter what your audio mixing needs, the xenyx 502 provides the performance and features that can take your talent to the next level,Professional sound quality, our legendary Xenyx mic preamps, British-style EQs and rugged reliability make Xenyx 502 ideal for both your live gigs and recording. Try one on today – we have one available in your size!

Product description

Cloud Microphones CL-1 Cloudlifter

The Cloudlifter CL-1 gives passive microphone signals a major inline boost, up to +25db of ultra-clean gain, while properly loading the microphones' transformer for transparent operation. The CL-1 is self-contained, driven only by the phantom power from your mixer or preamp. Ideal for dynamics and ribbon microphones, the CL-1 turns phantom power into the extra gain required for using passive microphones. The immediate dose of extra gain can make even a budget microphone/preamp combination sound clean and professional.



TECHNICAL SPECS:

• Type: Mic Level Booster
• Channels: 1
• Connectors: 1x XLR Input, 1x XLR Output
• Dimensions (DxWxH): 4.5 x 2 x 2"/li>
• Weight: 0.85 lb

Also Comes With:



Blucoil 10-FT Balanced XLR Cable

The 10-foot Blucoil cable interconnects your microphone to an audio interface, mixer, or preamp. It is made with premium Male-to-Female Neutrik-equivalent Zinc Alloy connectors that are protected with a high-density PVC jacket. The 92% shielding protects your audio signal from EMI and RFI. The OFC wire ensures that the best possible conductivity is provided. The Blucoil Balanced XLR Cable also avoids unwanted lost signals or degeneration.



Get the CL-1 Bundle today and receive 5-Pack of Reusable Cable Ties!

• GET STUDIO QUALITY SOUND - Turns your low-output microphones into a studio-quality ribbon mic preamp by boosting the source signal without the unwanted noise.
• NOISE-FREE AMPLIFICATION - Gives +25dB of noise-free amplification to your low-output microphones.
• PREMIUM CIRCUITY PRISTINE SOUNDS - Protects the natural tone of your microphone with ultra-transparent Class A JFET circuitry.
• REDUCE FEEDBACK - Reduces the feedback by letting you cut through the mix on stage with increased gain.
• INCLUDES - Cloud Microphones CL-1 Cloudlifter 1-Channel Mic Activator. Blucoil 10-Foot Balanced XLR Cable - Premium Series 3-Pin Cable for Microphones, Speakers and Pro Devices (Male-to-Female). 5-Pack of Blucoil Reusable Velcro Cable Ties.

User questions & answers

Question:	Is this a power supply or a does it have some good benefits? Like static reduction for instance
Answer:	hello. The Cloudlifter requires only phantom power to work. It is recommended to use with all passive dynamic microphones. It is an easy to use solution for audio problems in the studio. This product also comes with a 10 Foot XLR cable and Cable Ties to complete your bundle.
Question:	Hi, are there returns on this if I don't like it? Thanks
Answer:	We strictly follow Amazon's 30-day return window. After the 30-day period, you may return the product as long it isn't in Amazon's list of items that can't be returned. If you have further questions about the return policy, please don't hesitate to contact Amazon's customer support at 1 (888) 280-4331.
Question:	Why so expensive
Answer:	It is a quality product. It is built to last a lifetime.
Question:	Will this device works with the shure beta 58A supercardiod dynamic microphone? This mic does not operate with 48V phantom power
Answer:	Yes, the Cloud Microphones CL-1 Cloudlifter 1-Channel Mic Activator should work with your dynamic microphone.

Product features

Instant Noise-Free Amplification

The original Cloudlifter CL-1 offers up to +25dB of ultra-clean gain to low-output microphones. Your dynamic or ribbon mic pre-works more efficiently without adding any tonal coloration thanks to the Cloudlifter's active ultra-clean gain. Hear more of your microphone's character with deep clarity without the unwanted noise.

Active Ultra-Clean Gain

The CL-1 Cloudlifter helps your low-output microphone come to life. It provides up to +25dB of ultra-clean gain for dynamic and ribbon mics.

Zero Tone Coloration

Cloud Microphones use patented discrete JFET circuitry in the CL-1 to preserve your audio source's natural sound. T​he Cloudlifter cuts through the mix on stage with the increased gain, thus reducing feedback.

Mic Compatibility

CL-1 turns phantom power into clear gain without passing it through to your delicate ribbon mics. You can also use the Cloudlifter with condenser mics as long as there's a dedicated external power supply or battery powering your microphone.

Plug-and-Play

Simply plug your microphone in the XLR input and connect a mixer or preamp to the output. CL-1 does the rest.

Clean, Balanced Mic Signals

Whether you're a beginner or pro, you'd want crystal clear audio from your microphone. The Blucoil 10-FT Balanced XLR Cable (3-pin male-to-female) is made with high-quality oxygen-free copper, 24 AWG wire, and rugged construction metal casting. It eliminates lost signal issues and ensures efficient signal quality. The high-grade copper prevents degeneration over time, increasing the product's life.