7 best children motorcycles

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There Goes a Motorcycle [VHS]

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Set in today’s vibrant London rock-'n-roll scene, a young couple meet at a Black Rebel Motorcycle Club concert and share a summer of love. Matt and Lisa together, over a period of several months, pursue a mutual sexual passion whose inevitable stages (familiar to anyone who’s ever been in love) unfold in counterpoint to the nine live-concert songs that give this provocative movie its title.

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An amazing hour long look at the motorcycle lifestyle from New Hampshire to Daytona to the biggest of them all, Sturgis South Dakota. Kato Kaelin, Jenn Brown, and Art Mann host the endless stream of chrome, leather, rubber, and exhaust; all set to a hot classic rock soundtrack. It was speed that drew crowds to places like Florida, the Northeast, and the wide open West for weeklong bike rallies and it is the lifestyle and unique motorcycle culture that keeps it going. Renegade Road brings the good, the bad, and the wacky from bike rallies in Daytona Florida, Laconia New Hampshire, and Sturgis, South Dakota and presents it all in a wonderfully engaging program for the devoted fans and curious onlookers of American bike culture.

Features:

- An unforgettable desert shoot with the hottest bike girls

- The crazy, zany Sturgis’s Buffalo Chip Campground

- A trip through historic Deadwood, South Dakota

- The irreverent musings of Man-on-the-Street-in-Sturgis

- Kato Kaelin

- The Jackpine Gypsies Hillclimb

- Bull riding at Sturgis? Rodeo Days

- Thunder Road custom bikes

- Laconia’s Broken Spoke, the World’s Largest Biker Bar

- More biker personalities than you can shake a stick at

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Before Rocky was a knock-out, before “the Fonz” was TV’s “Leader of the Pack”, two unknown actors named Sylvester Stallone (Rocky) and Henry Winkler (TV’s “Happy Days”) starred in their first major screen roles. Soon they’d rule the box office and the airwaves, but before they were kings, they were THE LORDS OF FLATBUSH! Clad in blue jeans, black leather jackets and bad attitudes, Stanley (Stallone), Butchey (Winkler), Chico (Perry King, TV’s “Riptide”) and Wimpy (Paul Mace, Paradise Alley) are a 1950s Brooklyn gang of four cool, sexy rebels. Despite their tough appearance, these boys just want to have fun, but reality - a.k.a. adulthood - rears its ugly head when Stanley’s steady informs him they have to get married, and blue-collar Chico falls for a beautiful blonde (Susan Blakely, Over the Top) from the right side of the tracks. A high-octane cruise down memory lane, THE LORDS OF FLATBUSH is “immensely appealing, often hilarious, surprisingly touching and superbly acted” (The Hollyw

When The Lords of Flatbush was released in 1974, Sylvester Stallone was still an unknown actor polishing his screenplay for Rocky, and Henry Winkler was approaching TV superstardom as "Fonzie" in the first season of Happy Days. In this modest, low-budget feature, they play second and third fiddle (respectively) to Perry King, whose respectable career, ironically, would never reach such stratospheric heights. As for their costar and diminutive fourth "Lord of Flatbush," Paul Mace appeared in only one more movie after this (Stallone's Paradise Alley), and was killed in a 1983 traffic accident at the age of 33. Such is the random nature of fame and fate.

The movie itself is noteworthy mostly for the pre-stardom appearances of Stallone and Winkler, and a strong costarring role for that most ubiquitous of '70s actresses, Susan Blakely. Despite its amateurish style, muddy sound quality, and rambling scenes that have casual appeal but minimal narrative momentum, the movie is blessed with laid-back authenticity, recognizing the value of awkward pauses and jumpy rhythms of conversation. The ensemble of self-named Lords--four leather-clad rebels in 1957 Brooklyn, moving reluctantly toward adulthood--is solidly cast, and even the most familiar scenes (like making out at a drive-in showing From Here to Eternity) ring with engaging truth. Codirector Martin Davidson later covered similar territory in Eddie and the Cruisers, and Barry Levinson transcended this shoestring affair with his 1980 classic Diner, but The Lords of Flatbush stands on its own as an earnest and lightly entertaining drama that boosted its costars to bigger and better things. --Jeff Shannon

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I Love to Ride My Bike by Jamie Barnett

Review

After his treasured CD debut in 2003, "I Love to Ride My Bike," Barnett scores again. -Lynne Heffley -- Los Angeles Times January 6, 2005



Barnett's deeply felt vocals are further enhanced by the earnest sweetness of child singers who chime in throughout. -- Parents' Choice Website Summer 2003



This Parents' Choice Gold Award winner is an open-hearted observance of childhood's simple pleasures. -- Child Magazine December-January 2004



This title will appeal to children as well as the adults who share their love of music. -- School Library Journal - February 2004

From the Artist

A gazillion thanks to the many children who have traveled through my classroom throughout the years. It is your honesty that strikes me as I watch you dance and sing your way from one day to the next.

About the Artist

I grew up in a house filled with music. Certainly some of the music came from records but most of it came from our mouths. My mother sang while she washed dishes. When she didn't know all the words she made some up. She could whistle with the sweetest vibrato. My father showed us harmony and it was magic. With seven kids in the family, it was hard to find a note in the chord that wasn't taken.

We sang in the kitchen while clearing the table and in the car on long trips. The best place to sing in our house was in the stairway. We had to squeeze but the sound was fantastic. We sang Mama's and Papa's, Beatles, CSN&Y, and songs from musicals and rock operas. As we got older there were assortments of rock bands and someone was always singing in church.

Music isn't just for listening; it is something to do together, something to share. Whether in a bar, a classroom, a church, or the stairway, music can bring people together in a way that few activities can.

As a teacher I can see that, in many families, music has become more of a product than an activity. The songs on this CD beg you to sing along. The words and melodies belong to the listener. Children bounce outside to play still singing their favorite parts of the songs. That is the most gratifying part of this experience for me. I am told by one mother that her 2 month old daughter becomes visibly excited when she hears the beginning of "In the Shade." I am told by another family that same song is the favorite of the grandfather. The thought that a song can connect people across three generations is exciting to me.

What is going on in my life now?

My oldest son Sean is 22. He is attending Berklee College of Music, in Boston. Nicolas (16) plays the baritone horn in the high school marching band. Lucas (11) is in fourth grade. He is featured on the song "Six Years Old" on this CD. My wife Kathryn has a beautiful voice and is a regular singer at the Living Room Lounge (our living room). Opportunities to sing with my brothers and sisters occur rarely now but the sound is still home to me. We recently made a recording of some of our favorite songs together, just for ourselves. It sounds great but it is not the same as actually getting together.

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Strange events threaten an entire family when two brothers move with their divorced mother to a California town where the local teenage gang turns out to be a pack of vampires.

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Production Notes

Theatrical Trailer

This 1987 thriller was a predictable hit with the teen audience it worked overtime to attract. Like most of director Joel Schumacher's films, it's conspicuously designed to push the right marketing and demographic buttons, and granted, there's some pretty cool stuff going on here and there. Take Kiefer Sutherland, for instance. In Stand by Me he played a memorable bully, but here he goes one step further as a memorable bully vampire who leads a tribe of teenage vampires on their nocturnal spree of bloodsucking havoc. Jason Patric plays the new guy in town, who quickly attracts a lovely girlfriend (Jami Gertz), only to find that she might be recruiting him into the vampire fold. The movie gets sillier as it goes along, and resorts to a routine action-movie showdown, but it's a visual knockout (featuring great cinematography by Michael Chapman) and boasts a cast that's eminently able (pardon the pun) to sink their teeth into the best parts of an uneven screenplay. --Jeff Shannon