3 best nikon lenses for landscapes
Nikon offers a wide range of lenses suitable for landscape photography, catering to different preferences and budgets. Landscape photography often requires specific features and qualities in a lens to capture the vastness and details of outdoor scenes. Here are some Nikon lenses that are well-regarded for landscape photography:
Nikon AF-S NIKKOR 16-35mm f/4G ED VR: This wide-angle zoom lens is a popular choice among landscape photographers. Its wide focal length range and vibration reduction (VR) technology help capture sharp, detailed images even in challenging lighting conditions.
Nikon AF-S NIKKOR 14-24mm f/2.8G ED: Known for its exceptional sharpness and wide aperture, this lens is a favorite for landscape photographers who want to capture wide vistas and low-light scenes.It's great for astrophotography as well.
Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR: Designed for DX-format cameras, this compact and affordable lens offers a super-wide focal range, making it perfect for capturing expansive landscapes.
Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR: Although it's not an ultra-wide lens, this versatile zoom lens covers a wide range of focal lengths and is favored by landscape photographers for its sharpness and image stabilization.
Nikon AF-S NIKKOR 70-200mm f/4G ED VR: While often associated with portrait photography, this lens can also be a valuable tool for landscape photographers, allowing them to isolate distant elements in a scene and capture compressed landscapes.
Nikon PC-E NIKKOR 24mm f/3.5D ED: This lens is a tilt-shift lens, making it excellent for controlling perspective distortion in architectural and landscape photography. It's a specialized choice for photographers looking to achieve unique effects.
Nikon Z 14-30mm f/4 S: Designed for Nikon's mirrorless Z-series cameras, this ultra-wide-angle zoom lens offers excellent image quality and is ideal for landscape photographers who have made the switch to mirrorless technology.
When choosing a Nikon lens for landscape photography, consider factors such as focal length, aperture, image stabilization, and the type of camera you're using. Additionally, it's important to think about the specific requirements of your landscape shots, whether you need a wide-angle lens for vast scenes or a telephoto lens for capturing distant details. Ultimately, the choice of lens will depend on your creative vision and shooting style.
Below you can find our editor's choice of the best nikon lenses for landscapes on the marketProduct description
The AF-S DX Nikkor 35mm f/1.8G optical design allows a different look and feel to images taken with zoom lenses, and its dimensions are ideal for discrete snapshots and landscape shooting with a picture angle that approximates that of the human eye. With its rounded seven-blade diaphragm opening, out-of-focus elements appear more natural. When mounted on a DX-format SLR, the picture angle is the 35mm equivalent focal length of 50mm.what's in the box: Nikon AF-S Nikkor 35mm f/1.8G DX Lens, HB-46 Bayonet Lens Hood for AF-S DX NIKKOR 35mm f/1.8G, 52mm Snap-On Lens Cap, LF-1 Rear Lens Cap for F Mount Lenses, CL-0913 Soft Lens Case and 5-Year Warranty (1-Year International + 4-Year USA Extension).
From the Manufacturer
With a compact, lightweight design, the AF-S DX NIKKOR 35mm f/1.8G provides the high reproduction capability and picture quality for which Nikkor lenses are renowned at an affordable price. The ring type SWM offers quiet AF operation. Although all lens groups shift during focusing, the front element and filter mount do not rotate and the barrel length does not change, which is useful when using filter mounted SB-R200 Wireless Remote Speedlight units.
The AF-S DX Nikkor 35mm f/1.8G optical design allows a different look and feel to images taken with zoom lenses, and its dimensions are ideal for discrete snapshots and landscape shooting with a picture angle that approximates that of the human eye. With its rounded seven-blade diaphragm opening, out-of-focus elements appear more natural. When mounted on a DX-format SLR, the picture angle is the 35mm equivalent focal length of 50mm.
The AF-S Nikkor 35mm f/1.8G has two focus modes, M/A (manual override autofocus) and M (manual focus). The M/A mode enables instant manual switching during AF operation. The lens also features a rubber seal to minimize moisture ingression around the mount and can focus down to 0.3 meters (0.98 ft).
AF-S DX Nikkor 35mm f/1.8G Lens Highlights
- Fast, f/1.8 prime lens is perfect for low-light conditions, travel, environmental portrait and general photography
- Engineered for Nikon DX-format D-SLRS, the AF-S DX Nikkor 35mm f/1.8G lens renders a picture angle approximating the classic normal angle of view of a 50mm lens on a Nikon FXformat digital SLR or 35mm film camera
- Aspherical lens element minimizes coma and other types of lens aberrations, further improving image integrity
- Nikon Super Integrated Coating (SIC) enhances light transmission efficiency and offers color consistency and reduced flare
- Exclusive Nikon Silent Wave Motor (SWM) enables fast, accurate and quiet autofocus
- Close focusing to 1 foot for creative perspectives and versatility
- Rounded 7-blade diaphragm opening makes out-of-focus elements appear more natural
- Accepts 52mm filter attachments


Nikon 35mm f/1.8G AF-S DX Lens: Highly Recommended by dpreview.com
The AF-S Nikkor 35mm F1.8G DX is a lens which certainly caused a degree of dismay on its release, with many Nikon fans disappointed by the decision to make it compatible with the DX format only. However the main benefit of that decision is plain for all to see - even at its introductory price the lens costs rather less than the venerable AF-Nikkor 35mm F2.0D, despite the addition of an AF-S motor to allow autofocusing on Nikon's entry-level D40 / D40X / D60 bodies. It's also less than half the price of the few other DX format standard primes currently on the market (such as the Pentax 35mm F2.8 Macro, Tokina 35mm F2.8 Macro and Sigma 30mm F1.4 EX DC HSM), so Nikon has managed with this lens to produce the first genuinely inexpensive (sub-$200) fast standard prime designed specifically for digital SLRs.
Within this context, the lens's performance is very impressive. It produces finely detailed images at all apertures (although with somewhat low contrast wide open), focuses quickly and accurately, and handles well in a small, light package. In particular, it's much sharper than typical DX standard zooms such as the Nikon AF-S 18-55mm F3.5-5.6 DX VR or Nikon AF-S 18-200mm F3.5-5.6 DX VR. The fast maximum aperture allows pictures to be taken hand-held in low light levels, while maintaining relatively fast shutter speeds to avoid blur from subject motion (a key advantage over image-stabilised, but slow, kit zooms when photographing people without flash indoors). The slightly less tangible aspects of image quality - such as resistance to flare, and the rendition of out-of-focus regions of the frame - are also dealt with nicely.
If the lens has one major flaw, it is a certain propensity to show chromatic aberration, of both the lateral kind (which can be corrected by the in-camera JPEG processing of the D90 and D300), and the longitudinal (which cannot). To be fair the latter is a pretty well unavoidable with a fast prime, but the 35mm F1.8G DX suffers from it to a rather high degree, and in particular can give some unpleasant purple fringing effects if you're not careful.
Overall, though, it seems almost churlish to complain about these flaws in a lens so inexpensive, which gives otherwise such fine results. It's good to see Nikon finally addressing the lack of purpose-designed, inexpensive fast primes for DX format DSLRs, and we hope they - and other companies - continue with this trend. As it is the 35mm F1.8G DX is, for its winning combination of high image quality, large maximum aperture and low price, a lens which deserves to be on many a Nikon shooter's shopping list.
Read more at dpreview.com
- F mount lens/DX format. Picture angle with Nikon DX format 44 degree
- 52.5 millimeter (35-millimeter equivalent). Rear focusing; Manual focus override
- Aperture range: F/1.8 to 22; Dimensions(approx.) 70 x 52.5 millimeter
- Silent wave motor AF system. Accepts filter type is screw on. Lens construction: 8 elements in 6 groups
- Compatible formats is dx and fx in dx crop mode. Maximum reproduction ratio: 0.16x
- Lens not zoomable
User questions & answers
Question: | what size UV filter for the NIKON 35mm f/f1.8 AF-S DX lens |
Answer: | You just push it down. |
Question: | Is this a better lens than the one that comes with the nikon d3100 for close up shots of jewelry of small items for e bay |
Answer: | Sry we just used it as a regular desk top fan. We purchased it years ago. It's probably best to ask yhe companies who made it!! |
Question: | SO what is the big difference between the 50mm and the 35 mm lenses? I have been looking at oth for my D |
Answer: | I can't measure it right now but this is the same vent I ordered before and it fit the existing base plate that was in place for a 3" vent. I just set it in the old base plate. |
Question: | basketball |
Answer: | When the fan is on it pulls air from inside and blows it outside. |
Product features
Compact, fast f/1.8 prime lens for DX-format cameras
Optimized for DX-format cameras, the compact, lightweight AF-S DX NIKKOR 35mm f/1.8G delivers the consistently stunning images you’d expect from a prime lens. Its fast f/1.8 maximum aperture is perfect for low-light shooting and creating softly blurred backgrounds; and its classic 'normal' angle of view (approximating what we see with our eyes) makes it a great all-around lens.
Beautiful background blur Isolate your subject for a dramatic effect
The secret to creating beautifully blurred backgrounds in your photos and videos is using a lens with a wide maximum aperture. The AF-S DX NIKKOR 35mm f/1.8G’s maximum aperture is f/1.8, which provides complete depth-of-field control for isolating your subject and creating stunning portraits.
Outstanding low-light performance Shoot in a greater range of conditions
An f/1.8 maximum aperture isn’t just for creating blurred backgrounds—it’s also the key to exceptional low-light performance. With the AF-S DX NIKKOR 35mm f/1.8G, you’ll be able to shoot in more situations with only the available light—indoors or out, from morning until night.
Product description
Experience the complete joy of shooting with a compact, ultra-wide-angle zoom
This ultra-wide-angle zoom lens for APS-C DSLR cameras offers the finest of all Tamron worlds: best-in-class* 10-24mm focal length range (the 35mm equivalent of 16-37mm), the compact size of our previous SP AF10-24mm F/3.5-4.5 Di II LD Aspherical [IF] (Model B001), plus vastly improved optical performance. It also includes state-of-the-art Tamron technology like VC (Vibration Compensation), a new HLD (High/Low torque-modulated Drive), Fluorine Coating, and Moisture-Resistant Construction. Combine this with exceptional resolution on everything from detailed landscapes to casual snapshots and you have a next-generation, wide-angle zoom that’s ready to go wherever your photographic vision takes you.
Excellent optical performance across the entire zoom range
The optical design includes 16 elements in 11 groups. A new large aperture aspherical lens and LD (Low Dispersion) lens elements deliver exceptional resolution across the complete zoom range— combined with stable imaging across the entire frame. The lens also corrects comatic and transverse chromatic aberration, as well as distortion that often crops up on other wide-angle lenses. Together with Tamron’s unique BBAR (Broad-Band Anti-Reflection) Coating, which improves light transmission and suppresses reflection and dispersion on the lens surface, this new ultra-wide-angle zoom has been entirely reimagined to control flare and ghosting. The result: clear, crisp images, every time.
VC lets you go wherever your vision takes you
Tamron’s unique VC (Vibration Compensation) technology makes it easy to enjoy handheld, wide-angle shooting, even in low-light environments such as evening and indoors. While maintaining the compact design of our previous Model B001, Tamron has optimized the actuator and control algorithm in order to incorporate VC into our new Model B023. Now you can unleash the power of high quality imaging, without worrying about your images being spoiled by the jittery effects of handheld shooting.
HLD meets highly precise AF
With this lens, Tamron introduces the HLD (High/Low torque-modulated Drive) AF drive system. The excellent driving power of the all-new HLD enables stable and precise focusing, even with the large focusing lens elements used on Model B023. What’s more, the Full-time Manual Focus override allows you to make fine adjustments—without having to switch from AF to MF mode.
High performance packed into a compact body
A shortened overall length vastly improves optical performance while maintaining a compact size—even with advancements such as VC and the newly developed HLD. When combined with an APS-C DSLR camera, this lens packs a world of performance into a lightweight, portable body.
- VC (Vibration Compensation)
- HLD (High/Low torque-modulated Drive)
- Moisture-resistant construction
- Fluorine coating repels water and oil from the lens surface
- Electromagnetic diaphragm system
User questions & answers
Question: | Does it include lens cap and lens hood |
Answer: | Yes definitely it includes the lens hood, and front and rear caps all tamron original. It also comes with the original retails box. Thanks |
Question: | does this fit on a Nikon d |
Answer: | Yes. It’s will fit any F mount (Nikon). It would technically work on most Nikons, but would vignette on full frame. This is a nice lens and should serve you well with a D7500. |
Question: | Is this fully compatible with a Nikon d |
Answer: | Yes, it's fully compatible with the D5600 and all cropped sensor Nikon DSLR's |
Question: | will this work wth nikon d |
Answer: | The D90 uses mechanical aperture control. This lens like the newer Nikon AF-P lenses uses an electronic aperture control. This lens does not have a manual aperture control ring, so it would be deemed not compatible with the older bodies. I can not say if it would have no aperture control or if it would generate an error and be completely inoperative. The B001 model of this lens is older and will likely work fine on the older bodies. |
Product description
The number of cameras compatible with this lens is limited. Even for compatible cameras, firmware update may be required. Fully compatible models: D7500, D5600, D5500, D5300, D3400, D3300, D500 and later models
Compatible models with limited functions: D5, D810 series, Df, D750, D7200, D7100, D5200, Nikon 1 series with the FT1
Incompatible models: D4 series, D3 series, D2 series, D1 series, D800 series, D700, D610, D600, D300 series, D200, D100, D7000, D5100, D5000, D90, D80, D70 series, D3200, D3100, D3000, D60, D50, D40 series, film cameras
. Focal Length Range:10 -20mm- Ultra-wide-angle view that surpasses any Kit Lens and lets you get creative with Composition
- Compact, lightweight, durable design that's great for travel and outings.Angle of view:109 degree to 70 degree
- Outstanding Optics deliver beautiful photos and videos, even in challenging situations. Minimum focus distance - 0.22 meter ( 0.8 feet) from focal plane at all zoom positions
- Near-silent autofocus stepping motor is ideal for recording video. Compatible format(s) DX
- Vibration reduction (VR) image stabilization keeps handheld photos and videos sharp and helps with Low-light shooting.Accepts Filter Type:Screw-on
User questions & answers
Question: | Does this work with the d |
Answer: | 4.0W-4.5W This is taken directly from my Cisco switch - ports are set to auto-provision power. |
Question: | Does this come with a lens hood or case |
Answer: | Check the Lorex support site. |
Question: | Will this work on a D5500 without a firmware update |
Answer: | I use it with the QNAP Nas, works well. Have Cisco Meraki switch |
Question: | Will this work with my D |
Answer: | You need to read the listing very carefully. Some say don't update firmware things like that. I have a hikvision nvr and cameras all us version but had to shop around to make sure I got all us stuff. |
Product features
There’s so Much More to See
To truly capture the feeling of a place, you need a lens wide enough to see the entire scene. Enter the AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR—an ultra-wide-angle zoom lens that's ideal for sprawling landscapes and cityscapes, architecture, interiors or just beautiful group photos. Its near-silent autofocusing and Vibration Reduction (VR) image stabilization make it a great choice for recording video, and its compact, lightweight design makes it a great travel companion. See what you've been missing with the AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR.
Life from a New Perspective
Ultra-wide-angle Views and Close Focusing.
With an ultra-wide-angle view that surpasses any kit lens, the AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR lets you play with composition in a new way—foreground, middle ground, background, symmetry, patterns, lines, dramatic skies and more. Get as close as 0.8 feet from your subject to create photos and videos with dramatic leading lines or to capture tight interior spaces with ease.
Small in Size, Big in Quality
Despite its super compact, lightweight design, the AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR delivers huge performance. Vibration Reduction (VR) image stabilization ensures sharper handheld photos and videos and lets you use a slower shutter speed for brighter photos in low light. Three Aspherical (AS) Lens Elements nearly eliminates naturally occurring distortion and contributes to the lens' lightweight, compact design. Super Integrated Coating (SIC) cuts through ghosting and lens flare in backlit or cross-lit situations; retains maximum color and contrast. A 7-blade aperture design gives your photo and video backgrounds a beautifully soft, round blurring effect.
Do Not Disturb
Near-silent, Fast Autofocus Stepping Motor.
The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR focuses like a dream. When shooting video, its smooth stepping motor keeps focusing noise to a minimum. If you need to make adjustments, you’ll appreciate the silky smooth manual operation. To eliminate unintentional changes to the VR ON/OFF and AF/MF settings, those controls have been moved to the camera menu, and their status can be easily verified in your camera’s information display.
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