13 best peter pauper press journals
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Below you can find our editor's choice of the best peter pauper press journals on the marketProduct features
Autumn Grasses
- Gorgeous journal reproduces the gold and lacquer inlay of a 17th-century Japanese reading stand.
- Iridescent highlights illuminate this intricate floral design.
- Embossing lends dimensional detailing you can feel.
Gilded-gold page edging
- Gold tipping makes each page edge shine, catching the light as you turn it.
- Hardcover volume is made to last.
- Sturdy sewn binding.
Premium paper
- Inside, you'll find smooth-finish writing pages—no smudging or streaking.
- Thick ivory paper is lightly lined to accommodate any need—diary entries, creative writing, sketches, you name it!
- A ribbon bookmark keeps your place.
Lovely and functional
- Binding opens flat for ease of use.
- Journal is large enough to write in expansively, but compact enough to fit with ease inside a messenger bag, tote, or backpack.
Perfect for pen and pencil alike
- Pens and fine-line markers lay down crisp ink without feathering or bleed-through.
- Colored pencil shows up vividly.
- Graphite erases cleanly with light pressure.
Thoughtful detailing
- Little details, like matching endpapers and raised headbands and endbands, complete the design.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter—and later, his wife, Edna—sought to create fine books that sold at ''prices even a pauper could afford.''
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy—and our customers’ expectations—of beauty, quality, and value.
Image: Peter Pauper Press headquarters, circa 1948.
Product features
The Small Magellanic Cloud
- Dazzling journal design features a NASA image of the Small Magellanic Cloud, an irregular galaxy located about located about 200,000 light-years away from Earth.
- Silver foil highlights illuminate the cover's intricate details.
- Embossing lends dimensional detailing you can feel.
Thick, smooth-finish pages
- Inside, you'll find a smooth-finish writing surface—no smudging or streaking.
- Thick ivory paper is lightly lined to guide your writing, yet allows for drawing and sketching as well.
- Archival-quality acid-free paper helps preserve your journal entries.
- A ribbon bookmark keeps your place.
Gilded-silver page edging
- Silver foil tipping makes each page edge shine, catching the light as you turn it.
- Durable hardcover binding.
- This is a larger size journal: 7-1/4'' wide x 9'' high.
Lovely and functional
- Sturdy hardcover volume with a>
- Write expansively within the pages of this oversize journal.
- Striking cover design brings beauty to your bookshelf.
Perfect for pen or pencil
- Pens and fine-line markers lay down crisp ink without feathering or bleed-through.
- Colored pencil shows up vividly.
- Graphite erases cleanly with light pressure.
- Little details, like matching endpapers and raised headbands and endbands, complete the design.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter—and later, his wife, Edna—sought to create fine books that sold at ''prices even a pauper could afford.''
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy—and our customers’ expectations—of beauty, quality, and value.
Image: Peter Pauper Press headquarters, circa 1948.
Product features
Opulent Design
Intricate embossing gives the cover texture you can feel. Gold designs are pressed into the binding, mimicking the impressions left by the original book binder’s tools.
Gold Page Edges
Gold tipping makes each page edge shine, catching the light as you turn it.
Premium Quality
Binding opens flat for ease of use. A sleek black ribbon bookmark keeps your place. The journal is large enough to write in expansively, but compact enough to fit with ease inside a small messenger bag or backpack.
Archival Paper
Archival ivory paper is luxuriously smooth. Light gray lines subtly guide your writing. Pens and fine-line markers lay down crisp ink without feathering or bleed-through. Colored pencil shows up vividly, and graphite erases cleanly with light pressure.
Journals with History
Peter Pauper Press’s Bookbound Journals reproduce classic and beautiful covers created by history’s master book binders. The Obsidian Journal’s cover is modeled after a French binding from the 17th century, when technical and artistic innovations made France a center of book arts in Europe. The cover’s combination of bold geometry and exquisite botanically-inspired motifs exemplifies the refined style of 17th-century France. Its gold-tooled decoration consists of tiny dots instead of solid lines, a style called pointille that was used to create delicate effects. The modern journal re-creates this effect with finely textured embossing on iridescent paper.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter -- and later, his wife, Edna -- sought to create fine books that sold at prices even a pauper could afford.
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy -- and our customers’ expectations -- of beauty, quality, and value.
Image: Peter Pauper Press headquarters, Mount Vernon, New York, circa 1948.
Product features
Ornate Cover Details
Golden suns, planets, stars, and banners stand in sharp relief due to raised embossing you can feel.
Gilded Edges
Gold tipping makes each page edge shine, catching the light as you turn it.
Great Functionality
Binding opens flat for ease of use. The journal is large enough to write in expansively, but compact enough to fit with ease inside a small messenger bag or backpack.
Paper Quality
Premium grade ivory paper is luxuriously smooth. Light gray lines subtly guide your writing. Pens and fine-line markers lay down crisp ink without feathering or bleed-through. Colored pencil shows up vividly, and graphite erases cleanly with light pressure.
Journals with History
Peter Pauper Press’s Bookbound Journals reproduce classic and beautiful covers created by history’s master book binders. The Celestial Journal’s binding is the work of London firm Henry T. Wood, a bindery known for striking and unique designs.
Serious Craftsmanship
The original binding's gold leaf motifs were meticulously tooled onto a base of cerulean goat leather via a multi-step process involving heat and pressure. The modern-day journal recreates this effect with gold foil highlights against a deep blue leather-textured background printed on iridescent paper.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter -- and later, his wife, Edna -- sought to create fine books that sold at prices even a pauper could afford.
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy -- and our customers’ expectations -- of beauty, quality, and value.
Image: Peter Pauper Press headquarters, Mount Vernon, New York, circa 1948.
Product features
Wildflower Meadow
- Beautiful cover design depicts a meadow of flowers in shades of red, pink, blue, and purple.
- Image is embellished with touches of gold foil.
- Embossing lends dimensional detailing you can feel.
- Matching elastic closure secures your writing.
Premium paper
- Acid-free archival-quality pages support a variety of pens or pencils.
- Mid-weight ivory paper is luxuriously smooth.
- Light gray lines subtly guide your writing.
Handy pocket
- Tuck notes, favorite photos, cards, and more into the back cover pocket, which expands for ease of access.
- To secure everything, pull the elastic band closure over the cover when you shut the journal.
Lovely and functional
- Hardcover volume features a sturdy sewn binding and rounded corners for reduced wear.
- Compact size fits easily into most messenger bags, totes, and backpacks.
- Lightweight journal is a pleasure to use.
Perfect for pen and pencil alike
- Pens and fine-line markers lay down crisp ink without feathering or bleed-through.
- Colored pencil shows up vividly.
- Graphite erases cleanly with light pressure.
Thoughtful detailing
- Little details, like complementary endpapers and raised headbands and endbands, complete the design.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter—and later, his wife, Edna—sought to create fine books that sold at ''prices even a pauper could afford.''
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy—and our customers’ expectations—of beauty, quality, and value.
Image: Peter Pauper Press headquarters, circa 1948.
Product features
Delicate gold-limned tracery animates this ornate, antique-look journal.
Embossed leather-like covers in shades of deep red, sepia brown, and black feature floral motifs outlined in gleaming gold foil. Raised embossing emulates fine hand-tooling. Complements any bookshelf.
Smooth-finish pages are lightly lined.
Extra-light lines guide your writing, yet allow for drawing and sketching as well. Quality paper resists bleed-through. A crimson-red satin ribbon marker keeps your place. Pages lie flat for comfortable writing.
Luminous detailing
Iridescent highlights, gold foil-stamped covers and spine, raised embossing, and gilded-gold page edging make this journal shine. Bronze-hued endsheets complement the design.
Cover design is a reproduction of a gorgeous binding from the 16th century
Our Bordeaux Journal reproduces a gold-tooled and painted binding of the ''Breviarium Romanum,'' or ''Roman Breviary'' (daily prayers prescribed by the Catholic Church), published by Claude Picques in Lyon, France, in 1556.
Gold-stamped centerpiece
The stamped centerpiece was a popular design element in decorative bindings of the time.
Bound in Paris, France
Finish binding for the 'Breviary' was completed at Atelier de Fontainebleau, the royal bindery in Paris.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter—and later, his wife, Edna—sought to create fine books that sold at ''prices even a pauper could afford.''
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy—and our customers’ expectations—of beauty, quality, and value.
Image: Peter Pauper Press headquarters, circa 1948.
Product features
Delicate artwork
Shades of calming blue, a spray of delicate flowers, and a small red bird —all against a soft watercolor background—bring the cover image of this dreamy journal to life.
Flecks of gold foil illuminate the image.
Raised embossing lends texture.
Complements any bookshelf.
Smooth-finish pages are lightly lined
Extra-light lines guide your writing, yet allow for drawing and sketching as well.
Archival-quality acid-free paper helps preserve your entries.
A satin ribbon bookmark keeps your place.
Gold page edging
Gold tipping makes each page edge shine, catching the light as you turn it.
Sturdy hardcover binding.
Matching purple spine.
Lovely and functional
Sturdy hardcover volume with a classic sewn binding.
Write expansively within the pages of this oversize journal.
Gorgeous cover design brings gold-flecked florals to your bookshelf.
Smooth matte hardcover journal is a delight to hold and use.
Perfect for pen and pencil alike
Pens and fine-line markers lay down crisp ink without feathering or bleed-through.
Colored pencil shows up vividly.
Graphite erases cleanly with light pressure.
Thoughtful detailing
Little details, like deep blue endpapers and raised headbands and endbands, complete the design.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter—and later, his wife, Edna—sought to create fine books that sold at prices even a pauper could afford.
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy—and our customers’ expectations—of beauty, quality, and value.
Image: Peter Pauper Press headquarters, circa 1948.
Product features
Vibrant cover iillustration with flecks of gold
Touches of gold foil enhance a brilliant autumnal landscape.
Raised embossing lends texture and dimension.
Stunning journal complements any bookshelf.
Melissa Graves Brown received her B.F.A. from Auburn University in 1993, and then continued to the University of Pennsylvania for a Masters of Fine Art. Inspired by Idaho’s grand landscape, she has created a body of work with an emphasis on imagination and attention to nature.
Smooth-finish pages are lightly lined
Extra-light lines guide your writing, yet allow for drawing and sketching as well.
Archival-quality acid-free paper helps preserve your entries.
A ribbon bookmark keeps your place.
Gold page edging
Gold tipping makes each page edge shine, catching the light as you turn it.
Sturdy hardcover binding.
Lovely and functional
Sturdy hardcover volume with a classic sewn binding.
Write expansively within the pages of this oversize journal.
Gorgeous cover design brings beauty to your bookshelf.
Perfect for pen and pencil alike
Pens and fine-line markers lay down crisp ink without feathering or bleed-through.
Colored pencil shows up vividly.
Graphite erases cleanly with light pressure.
Thoughtful detailing
Little details, like matching bronze endpapers and blue raised headbands and endbands, complete the design.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter—and later, his wife, Edna—sought to create fine books that sold at prices even a pauper could afford.
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy—and our customers’ expectations—of beauty, quality, and value.
Image: Peter Pauper Press headquarters, circa 1948.
Product features
Gorgeous detail
- Reminiscent of the intense realism of 17th-century Dutch still life paintings, this striking journal will clad your writing in Baroque finery.
- Design is embossed and embellished with gold foil highlights.
Thick, smooth-finish pages
- Extra-light lines guide your writing, yet allow for drawing and sketching as well.
- Archival-quality acid-free ivory paper helps preserve your journal entries.
- A black ribbon bookmark keeps your place.
Gilded-gold page edging
- Gold tipping makes each page edge shine, catching the light as you turn it.
- Durable hardcover binding.
- This is a larger size journal: 7-1/4'' wide x 9'' high.
Lovely and functional
- Sturdy hardcover volume with a>
- Write expansively within the pages of this oversize journal.
- Gorgeous cover design brings beauty to your bookshelf.
Perfect for pen or pencil
- Pens and fine-line markers lay down crisp ink without feathering or bleed-through.
- Colored pencil shows up vividly.
- Graphite erases cleanly with light pressure.
- Little details, like matching endpapers and raised headbands and endbands, complete the design.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter—and later, his wife, Edna—sought to create fine books that sold at prices even a pauper could afford.
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy—and our customers’ expectations—of beauty, quality, and value.
Image: Peter Pauper Press headquarters, circa 1948.
Product features
Smooth-finish pages are lightly lined
Extra-light lines guide your writing, yet allow for drawing and sketching as well.
Archival-quality acid-free paper helps preserve your entries.
A satin ribbon bookmark keeps your place.
Gold page edging
Gold tipping makes each page edge shine, catching the light as you turn it.
Sturdy hardcover binding.
Matching spine treatment.
Lovely and functional
Sturdy hardcover volume with a classic sewn binding.
Write expansively within the pages of this oversize journal.
Gorgeous cover design brings a historical work of art to your bookshelf.
Perfect for pen and pencil alike
Pens and fine-line markers lay down crisp ink without feathering or bleed-through.
Colored pencil shows up vividly.
Graphite erases cleanly with light pressure.
Thoughtful detailing
Little details, like matching endpapers and raised headbands and endbands, complete the design.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter—and later, his wife, Edna—sought to create fine books that sold at prices even a pauper could afford.
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy—and our customers’ expectations—of beauty, quality, and value.
Image: Peter Pauper Press headquarters, circa 1948.
Product features
Ornate design based on an 1885 binding produced by the Grolier Club in New York City
The journal's intricate design of contrasting grape vines and floral motifs is embellished with gold foil and iridescent highlights.
Raised embossing lends dimension and calls extra attention to detail.
Elements of the design are reproduced on the spine.
Matte hardcover in umber, ivory, and caramel.
Gold page edges
Gold tipping makes each page edge shine, catching the light as you turn it.
Sturdy hardcover volume is made to last.
Premium paper
Inside, you'll find a smooth-finish writing surface—no smudging or streaking.
Thick ivory paper is lightly lined to accommodate any need—diary entries, class notes, sketches, you name it!
Archival quality helps preserve your entries.
A bronze ribbon bookmark keeps your place.
Lovely and functional
Hardcover volume features a sturdy sewn binding.
Journal is large enough to write in comfortably, but small enough to fit inside a messenger bag or backpack.
Perfect for pen and pencil alike
Pens and fine-line markers lay down crisp ink without feathering or bleed-through.
Colored pencil shows up vividly.
Graphite erases cleanly with light pressure.
Thoughtful detailing
Little details, like matching bronze endpapers and bronze raised headbands and endbands, complete the design.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter—and later, his wife, Edna—sought to create fine books that sold at prices even a pauper could afford.
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy—and our customers’ expectations—of beauty, quality, and value.
Image: Peter Pauper Press headquarters, circa 1948.
Product features
Jewel-like covers
Our cover design reproduces a gold-tooled book binding owned by Antoine Leriche, secretary to King Louis XIV of France.
Intricate ornamentation is embossed in gold foil.
Smooth matte hardcover.
Complements any bookshelf.
In addition to being a royal secretary, Leriche was a noted collector of fine objects. Book binding was a French specialty, and gold stamping, as seen here, was a popular decorative element.
Smooth-finish pages are lightly lined
Extra-light lines guide your writing, yet allow for drawing and sketching as well.
Archival-quality acid-free paper helps preserve your entries.
A ribbon bookmark keeps your place.
Gold page edging
Gold tipping makes each page edge shine, catching the light as you turn it.
Sturdy hardcover binding.
Lovely and functional
Sturdy hardcover volume with a classic sewn binding.
Write expansively within the pages of this oversize journal.
Gorgeous cover design brings Old World beauty to your bookshelf.
Little details, like matching bronze endpapers and purple raised headbands and endbands, complete the design.
Perfect for pen and pencil alike
Pens and fine-line markers lay down crisp ink without feathering or bleed-through.
Colored pencil shows up vividly.
Graphite erases cleanly with light pressure.
Thoughtful detailing
Little details, like bronze endpapers and purple raised headbands and endbands, complete the design.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter—and later, his wife, Edna—sought to create fine books that sold at prices even a pauper could afford.
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy—and our customers’ expectations—of beauty, quality, and value.
Image: Peter Pauper Press headquarters, circa 1948.
Product features
Luminous image
Flecks of gold foil illuminate our cover design.
Raised embossing lends texture and dimension.
Ethereal journal complements any bookshelf.
Stephanie Law's work is an exploration of mythology mixed with her personal symbolism. Her art journeys through surreal otherworlds, populated by dreamlike figures, masked creatures, and winged shadows.
Smooth-finish pages are lightly lined
Extra-light lines guide your writing, yet allow for drawing and sketching as well.
Archival-quality acid-free paper helps preserve your entries.
A ribbon bookmark keeps your place.
Gold page edging
Gold tipping makes each page edge shine, catching the light as you turn it.
Sturdy hardcover binding.
Lovely and functional
Sturdy hardcover volume with a classic sewn binding.
Write expansively within the pages of this oversize journal.
Gorgeous cover design brings a unique work of art to your bookshelf.
Perfect for pen and pencil alike
Pens and fine-line markers lay down crisp ink without feathering or bleed-through.
Colored pencil shows up vividly.
Graphite erases cleanly with light pressure.
Thoughtful detailing
Little details, like sage green endpapers and ecru raised headbands and endbands, complete the design.
Our Company History
In 1928, at the age of twenty-two, Peter Beilenson began printing books on a small press in the basement of his parents’ home in Larchmont, New York. Peter—and later, his wife, Edna—sought to create fine books that sold at prices even a pauper could afford.
Today, still family owned and operated, Peter Pauper Press continues to honor our founders’ legacy—and our customers’ expectations—of beauty, quality, and value.
Image: Peter Pauper Press headquarters, circa 1948.
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