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• World's King Size Candy "Cigarettes" in a Box
• Pack of 25

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Having already established themselves by virtue of their handful of releases on Hydrahead records, Vermont's least kept secret, Drowningman, continue to impress with their Rev debut EP, How They Light Cigarettes in Prison. Four songs of careening, spastic metal/hardcore are interrupted by haunting sections of emoish melody. Escaping earlier stock comparisons to Converge, Cave-In, and Deadguy, Drowningman have moved into their own musical territory, finding new ways to tread the line between noise and melody, intricacy and subtlety. Infused with Drowningman's already patented poetic sarcasm- How They Light Cigarettes in Prison besides offering a a variety of death threats, tells tales of heart break, armed robbery, and electrical failures in correctional institutions. Produced by Brian McTernan with design executed by Jacob Bannon, How They Light Cigarettes in Prison is required listening for anyone that has ever spent a night crying while sharpening their knives.

About the Artist

Members: Simon Brody - vocals Javin Leonard - guitar Matt Roy - guitar Dave Barnett - bass Joe Villemaire - drums

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World's Bubble Gum "Cigarettes" In a Box (Pack of 20)

• World's Bubble Gum "Cigarettes" In a Box (Pack of 20)
• Professionally packed by Secret Candy Shop and shipped double boxed to ensure safe arrival at your door.
• Comes in Secret Candy Shop Box.

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Rival New York City gangs affect the love of a young man and woman from each side. Oscars for best picture, directors Robert Wise and Jerome Robbins; supporting Oscars for George Chakiris and Rita Moreno.

Additional Features

The 50th-anniversary Blu-ray edition features a huge selection of extras on both the main disc and a separate bonus features disc. On the main disc, "Pow! The Dances of West Side Story In-Movie Viewing Mode" offers insight into seven of the film's dance sequences by a variety of contemporary directors and choreographers, as well as actors from both the film and Broadway play. The discussion ranges from why specific moves were chosen for individual dances to how extensively choreographed and rehearsed most dances were and how the dances managed to successfully integrate music, word, and dance into a powerful expression of both plot and emotion. The "Song-Specific Commentary by Stephen Sondheim" is an intriguing and candid discussion by Sondheim about how he created the lyrics for 14 distinct songs, which songs he felt were most successful, the lyrics he's most embarrassed about penning, and even an admission that, in his opinion, he was wrong to fight for the reordering of the songs "Officer Krupke" and "Cool." The 20-track "Music Machine," which allows viewers to go directly to their favorite musical numbers, is the final special feature on the main disc.

On the bonus features disc, "A Place for Us: West Side Story's Legacy" explores how incredibly groundbreaking and innovative the film was. Offering their musings are contemporary producers, directors, actors, and choreographers, among them Adam Shankman (Hairspray and Rock of Ages), Zach Woodlee (Glee), and Mikhail Baryshnikov (White Nights and Baryshnikov on Broadway), as well as Sondheim and assistant director Robert Relyea, and even composer Leonard Bernstein's daughter Jamie Bernstein. What comes through loud and clear is that West Side Story was a revolutionary film: a project in which three men from three separate disciplines came together to tell a story in a completely new way and in which the traditional boundaries between dancing, acting, and singing simply dissolved. The feature explores the emotional impact of this then-new form of storytelling and how it led the way for musicals, and later music videos, to tackle serious subject matter. It also looks at the global reach of the film, gives a nod to the many modern films and television programs that have paid homage to the film over the years, and explains how the musical inspired the West Side Story Project, in which police and theaters in places like Seattle join forces to facilitate open conversation and interaction among gang members, police, and local theaters. The 56-minute "West Side Memories" features director and coproducer Robert Wise, playwright Arthur Laurents, lyricist Sondheim, executive producer Walter Mirisch, various other cast and crew members, and even the voice of Jerome Robbins, thanks to a recording of a 1960 interview. They expound on everything, from the unique form of this musical to the genius of Leonard Bernstein and his uncanny way of combining popular music with Cuban and jazz influences, as well as aspects of classical music. They also touch on the complex choreography of Robbins and the intense relationship he had with the dancers, and Sondheim's uncanny ability to tailor a song to a specific role and to function as an extension of the author. There's discussion about how different the characters of Maria, Anita, Tony, and Riff are and how markedly the demands of playing each role differ, as well as an interesting and very frank conversation about Saul Chaplin's insistence on dubbing many of the singing voices. Other special features include a storyboard-to-film comparison montage and four trailers: original theatrical, original issue, reissue, and animated. --Tami Horiuchi

• World's King Size Candy "Cigarettes" In a Box
• Pack of 10

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The Owsley Stanley Foundation presents Bear’s Sonic Journals: Found in the Ozone, Commander Cody & His Lost Planet Airmen, live at the Family Dog on March 28, 1970.

Rare, early live recordings of Commander Cody & His Lost Planet Airmen, captured by the Grateful Dead’s legendary soundman Owsley “Bear” Stanley, including songs never-before officially released.

Featuring a complete show (March 28, 1970) at the Family Dog, plus bonus tracks from 5 other nights at the Family Dog (February 27-March 29), this is the most extensive collection of Commander Cody’s work from this time period, featuring rare and seldom played songs. With more than 40 tracks, each CD is more than 75 minutes, and spans a variety of musical styles, including country western, rock’n’roll, blues, rockabilly, zydeco, and more.

20-page booklet featuring original cover art by Chris Shaw and original, unpublished artwork by Commander Cody himself

11 rare, unpublished photos of the band from the relevant time period

Liner notes by former Grateful Dead archivist Nicholas G. Meriwether