7 best jazz metronome
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Below you can find our editor's choice of the best jazz metronome on the marketProduct features
The Harder They Come (Chapter 7)
Charlie was something like the straight man in a British sitcom—the sympathetic glue between the druggy, heavily armed, pirate-like guitar player and the gender-bending lead singer, which is yet one more reason Why Charlie Watts Matters: he came to play….But Charlie had become a mereological essential to the group, the axis around which the Rolling Stones revolved. Once upon a time, Charlie played the drums. Now, more and more, it seemed like he was playing the band.
Respectable (Chapter 8)
Charlie’s drumming was impeccable—disciplined and unadorned. He used the hi-hats, like Al Jackson, with surgical discretion, its overuse having become the hallmark of wedding-band drummers trying to keep up with the disco times. In Charlie’s hands, it swung. Even playing disco, there was that slight wobble, keeping the beat just behind Keith. He pushed the song forward with urgency. And he was shrewd—he hadn’t played this minimally since the Brian Jones days. As ever, this was Why Charlie Watts Matters: there was the anticipation in the groove, and the penetration was left, as it should be, to whatever happened after closing time.
Where’s My Drummer? (Chapter 10)
According to Keith, “Twenty minutes later, there was a knock at the door. There was Charlie Watts, Savile Row suit, perfectly dressed, tie, shaved, the whole… bit. I could smell the cologne! I opened the door and he didn’t even look at me, he walked straight past me, got a hold of Mick and said, ‘Never call me your drummer again.’ Then he hauled him up by the lapels of my jacket and gave him a right hook.” Keith calls it the “drummer’s punch” and says “it’s lethal; it carries a lot of balance and timing.” Nothing less than you would expect from a guy whose right hand has been carrying the weight of The Greatest Rock’n’roll Band in the World for twenty years.
Product description
Japanese remastered pressing. Bethlehem. 2014.
Product description
2 x Vinyl LP, Compilation
Germany
A1 | Grandpa's Spells | 3:05 |
A2 | Creole Love Call | 3:30 |
A3 | I Found A New Baby | 3:05 |
A4 | This Town | 3:00 |
A5 | Bula, Bula | 3:00 |
A6 | Sentimental Journey | 2:55 |
B1 | Tell'em About Me | 2:35 |
B2 | Chattanooga Stomps | 3:25 |
B3 | Sneak Away | 3:05 |
B4 | Wilbour | 3:05 |
B5 | Oh! Marie | 3:15 |
B6 | Ole Miss Rag | 3:40 |
C1 | Manana Pasado Manana | 2:25 |
C2 | South | 3:06 |
C3 | Trinidad Dad | 2:25 |
C4 | Baby Brown | 3:37 |
C5 | When You Smile | 3:37 |
C6 | One Sweet Letter From You | 4:05 |
D1 | On The Sunny Side Of The Street | 3:56 |
D2 | Black Label Blues | 4:51 |
D3 | Down In Honky Tonk Town | 4:14 |
D4 | Home | 2:22 |
D5 | Climax Rag | 3:04 |
Product description
1 x Vinyl LP, Album
Germany 1968
A2 - South (3:06)
A3 - Trinidad Dad (2:25)
A4 - Baby Brown (3:37)
A5 - When You Smile (3:37)
A6 - One Sweet Letter From You (4:05)
B1 - On The Sunny Side Of The Street (3:56)
B2 - Black Label Blues (4:51)
B3 - Down In Honky Tonk Town (4:14)
B4 - Home (2:22)
B5 - Climax Rag (3:04)
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